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how the situationists tried to turn spectators into participants
What if the city wasn’t something to consume but something to play? For the Situationists, this was a way of challenging the passive role assigned to people in modern society. Instead of simply following the routes, functions, images, and routines laid out for them, they imagined inhabitants who could wander, interfere, improvise, and collectively reshape
The Blue Parade (what the body knows)
The Blue Parade is a participatory walking artwork created by Stefaan van Biesen and Annemie Mestdagh for the “Walking Practices/Walking Art/Walking Bodies” meeting in Prespes, Greece. The piece consists of a portable, ultramarine-blue textile structure carried collectively through the landscape as a “nomadic library.” Participants walk together, collect small objects from the environment, and place them in attached PET bottles, creating a mobile archive of local memory and identity. The act of carrying the canvas fosters awareness, cooperation, and a temporary community, turning the walk into a sensory, reflective ritual that highlights embodied knowledge, shared experience, and themes of journey and displacement.

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