C.L.U.E. (color location ultimate experience) is a multimedia work by A.L. Steiner, robbinschilds, and collaborators, blending video, installation, and performance. The piece explores color, space, and human interaction through dynamic single to 13-channel video formats.

After surviving a homophobic attack, Nando Messias transforms trauma into defiant joy in The Sissy’s Progress: a hyperflamboyant dance-theatre march with live band that floods city streets, confronting gendered violence and celebrating sissies everywhere.

In And from then on we lived on blueberries for about a week (2013), Lisa Myers transforms her grandfather’s story of fleeing residential school into a stop-motion reflection on endurance, land and memory, rooted in Indigenous experience and survival.

Elastic City engages the public in participatory walks, workshops, and performances that transform cities into sites of discovery. Artists use sensory techniques and rituals to explore community, identity, and the politics of urban life.

Taking a Line for a Walk documents Susan Stockwell mapping the historic boundary of Stockwell, South London, by walking its 2.7-mile perimeter with a line-drawing machine, creating a temporary public drawing that transformed mapping into a lived, performative act.

Playing Apart dispersed a 90-piece marching band across Denver, each member individually playing “We’re Not Going to Take It” while moving through the city, forming a fragmented yet collective protest that intersected with Occupy Denver.

Created in 1967, Satisfyin’ Lover challenges choreographic conventions by placing walking and everyday actions on stage. Through simple instructions and collective movement, the work highlights natural posture, bodily diversity, and redefines what can be considered dance.

An international group of artists including painters, photographers, musicians, videographers, sound artists, dancers and writers who all use walking as a catalyst, come together to respond to the Equinox

Migrating Voices—Walking for Life, an audio-visual experiment we shared in the heart of Psarades, within the WAC25, a Walking Arts Encounter

A walkshop held in 2023 at the WAC International Encounters Conference at Prespa, Greece. Organised and supported by the University of Western Macedonia.

2020: The Walk is a project by XR artist and activist Marta Moreno Muñoz, a journey on foot between Granada and Helsinki – with some trains and a ferry, and from there up North to the permafrost – to spread the word about Extinction Rebellion.

Hosted by Electra Rhodes and Andrew Stuck, the 39 Steps Writers’ Showcase event introduced new writing from 19 authors in our micro-flash fiction writing competition and included readings of their prose. Run in conjunction with Sampson Low Publishers, with a special prize given by Caroline Gannon, the walk · listen · create writing competition attracted

Migrating Voices (work in progress) , a polyphonic, immersive, connected device by Gigacircus art collective in the conext of the EU project WALC. Visit https://gigacircus.net/walc for more information.

WALC Residence 2 at the Gigacircus Collective Lab – an interactive audiovisual “Bivouac” metaspace beyond borders.

A taste of the 2023 Heart Maps Audio Adventure event, described as a 2 hour feast of creative oral history

Part funded by the EU Create Europe Programme, this Confluence event was hosted by Gigacircus, the French partner in the Walking Arts & Local Communities project known as WALC. They chose their guest as Mexican performance artist Gustavo Gonzales, who in the video provides a presention to his extensive portfolio of actions undertaken in the

An interactive metaverse installation by gigacircus Art collective in the context of the WALC project.