Search
My feed
video 2026

Art, Body, Ritual and Camera (WALC Online Course Session 4)

Comments

First session of the block “Walking as shared world Making” as part of the online course “Walking Arts and Local Communities” in the frame of the Creative Europe Cooperation project WALC. Speaker: Sylvie Marchand . Coordinators: Fred Adam and Geert Vermeire.

Supported by

Locative Media Supercluster

Locative Media Supercluster links art, ecology & education with CGeomap and Earth Art Revolution, mapping human & more-than-human stories.
Geert VermeireFred Adam

Walking Arts & Local Communities (WALC) is an artistic cooperation project, co-funded by the European Union, Creative Europe, starting in January 2024 for four years. With seven partners from five countries, WALC establishes an International Center for Artistic Research and Practice of Walking Arts, in Prespa, Greece, at the border with Albania and North Macedonia, backed up by an online counterpart in the format of a digital platform for walking arts.

WALC builds on the previous work of hundreds of artists and researchers already practicing Walking Arts as a collaborative medium, and having met at the significant previous walking arts events and encounters in Greece, Portugal, Spain, France, Belgium, and during online activities at walk · listen · create.

We acknowledge the support of the EU Creative Europe Cooperation grant program in the framework of the European project WALC (Walking Arts and Local Community).

Funded by the European Union. Views and opinions expressed are however those of the author(s) only and do not necessarily reflect those of the European Union or the European Education and Culture Executive Agency (EACEA). Neither the European Union nor EACEA can be held responsible for them.

WALC Course

Film collection · 19 items

anthropology

4 sub-collections · 21 items

WALC Course

7 Mar - 27 Jun, 2026 · 28 items

the [video]flâneur

The artist walks like a „Flâneur“ through the city. He does not have a turtle with him (as the original Parisian Flâneur of the 1830‘s used to); later, he does not write stories, he does not write poems. He has only a video camera. He takes shots of the city; he takes shots of the “life” of the people of the city, sometimes he also shoots “himself” (…without camera moves, without zooming, without special lighting, with original sound, without permission); Later he chooses and combines the scenes, Installs and presents them online, offline, on site or off site, always under different contexts.

Problem?

Encountered a problem? Report it to let us know.

  • Include the page on which you encountered the problem.
  • Describe what happened.
  • Describe what you expected to happen.
Follow us