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video 2026

Art on the Pilgrim Path

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Artists working along routes and in landscapes

Art has been entwined with pilgrimage from the outset, in iconography and relics, object attribution and travel souvenirs, music and folklore, and more recently in walking performances. Does a pilgrimage route become an open-air studio exhibiting the pilgrim experience?

Presenters included: Professor Kathryn Barush author of Imaging Pilgrimage: Art as Embodied Experience,  Clara Gari, curator of the El Grand Tour and The Walking Assembly, commissioned recently by Foro Cultura y Ruralidades of the Spanish Ministry of Culture to curate Walking Art activities on the Camino de Santiago, Roxana Perez-Mendes of Campo Research Studio directs Drawn to the Camino, an artist residency and study abroad programme that brings students onto the Camino de Santiago, and Professor William Sharpe, author of The Art of Walking: a history in 100 images.

walk · listen · café

Film collection · 108 items

Artist Residency

Collection · 30 items
Sub-collection

Camino de Santiago

Sub-collection · 18 items

El Grand Tour

Collection · 4 items

Regions

Santiago de Compostela

City · 6 items

pedestrian acts

By de Certeau: In “Walking in the City”, de Certeau conceives pedestrianism as a practice that is performed in the public space, whose architecture and behavioural habits substantially determine the way we walk. For de Certeau, the spatial order “organises an ensemble of possibilities (e.g. by a place in which one can move) and interdictions (e.g. by a wall that prevents one from going further)” and the walker “actualises some of these possibilities” by performing within its rules and limitations. “In that way,” says de Certeau, “he makes them exist as well as emerge.” Thus, pedestrians, as they walk conforming to the possibilities that are brought about by the spatial order of the city, constantly repeat and re-produce that spatial order, in a way ensuring its continuity. But, a pedestrian could also invent other possibilities. According to de Certeau, “the crossing, drifting away, or improvisation of walking privilege, transform or abandon spatial elements.” Hence, the pedestrians could, to a certain extent, elude the discipline of the spatial order of the city. Instead of repeating and re-producing the possibilities that are allowed, they can deviate, digress, drift away, depart, contravene, disrupt, subvert, or resist them. These acts, as he calls them, are pedestrian acts.

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