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2020

How to make a (geo-located) sound walk and record sounds using a smartphone workshop

Andrew Stuck• Marcin Barski

Museum of Walking (Andrew Stuck & Marcin Barski) host an online workshop “How to make a (geo-located) sound walk and record sounds using a smartphone”. Participants will learn how to record and map the sounds of Greenwich borough, creating their very own listening experience & sharing the diverse soundscapes of the community.

An online workshop presentation as part of the Greenwich 2020 Sound and Image Festival.

Explainers

Film collection · 7 items
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sound walks

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soundwalks

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walkingevent

Greenwich Sounds – “How to Make a Soundwalk Using a Smartphone”

Launching a 14-day challenge for local residents and Greenwich Sound Image Festival participants, the Museum of Walking (Andrew Stuck & Marcin Barski) host an online workshop "How to make a (geo-located) sound walk and record sounds using a smartphone".

Andrew Stuck• Marcin Barski
walkingevent

Sound-Image Festival: Greenwich Sounds

A 14-day challenge for residents and workshop participants to record sound walks and curate soundscapes of the Royal Borough of Greenwich area, launched through an online Zoom workshop on Saturday 14 November. Members of the public and University community are invited to create unique sonic portraits of their own Greenwich. A “How to make a sound walk” workshop

Andrew Stuck•
post

Sounding Art Trail links Britain and Turkey

Sounding Art Trail: Walking, Listening & Creating with Place Sounding Art Trail is a site-specific soundscape project rooted in the creative practice of walking. The project unfolds along two long-distance routes namely the North Downs Way in the UK and the Lycian Way in Türkiye, inviting walkers to listen, move, and create with the landscapes

Hu Eryurt Ilgın T. +1

pedestrian acts

By de Certeau: In “Walking in the City”, de Certeau conceives pedestrianism as a practice that is performed in the public space, whose architecture and behavioural habits substantially determine the way we walk. For de Certeau, the spatial order “organises an ensemble of possibilities (e.g. by a place in which one can move) and interdictions (e.g. by a wall that prevents one from going further)” and the walker “actualises some of these possibilities” by performing within its rules and limitations. “In that way,” says de Certeau, “he makes them exist as well as emerge.” Thus, pedestrians, as they walk conforming to the possibilities that are brought about by the spatial order of the city, constantly repeat and re-produce that spatial order, in a way ensuring its continuity. But, a pedestrian could also invent other possibilities. According to de Certeau, “the crossing, drifting away, or improvisation of walking privilege, transform or abandon spatial elements.” Hence, the pedestrians could, to a certain extent, elude the discipline of the spatial order of the city. Instead of repeating and re-producing the possibilities that are allowed, they can deviate, digress, drift away, depart, contravene, disrupt, subvert, or resist them. These acts, as he calls them, are pedestrian acts.

Added by Asli Ozgen-Tuncer
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