WALC Online Course
June 20 2026, session 12
Walking as Commons
Art as Network and Future making
Locative Media Supercluster
Ecological Intelligence from Place to Planet
Geert Vermeire and Fred Adam
100 Circles: Creative encounters with Lenzie Moss
David Overend (UK)
Ropewalking:
Landscape, Plasticity and Making
Simon Piasecki (UK)
Walking practice
Place: Materials, Change, and Future-Making
Walking Arts & Local Communities (WALC) is an artistic cooperation project, co-funded by the European Union, Creative Europe, starting in January 2024 for four years. With seven partners from five countries, WALC establishes an International Center for Artistic Research and Practice of Walking Arts, in Prespa, Greece, at the border with Albania and North Macedonia, backed up by an online counterpart in the format of a digital platform for walking arts.
WALC builds on the previous work of hundreds of artists and researchers already practicing Walking Arts as a collaborative medium, and having met at the significant previous walking arts events and encounters in Greece, Portugal, Spain, France, Belgium, and during online activities at walk · listen · create.

We acknowledge the support of the EU Creative Europe Cooperation grant program in the framework of the European project WALC (Walking Arts and Local Community).
Funded by the European Union. Views and opinions expressed are however those of the author(s) only and do not necessarily reflect those of the European Union or the European Education and Culture Executive Agency (EACEA). Neither the European Union nor EACEA can be held responsible for them.
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Topogestures: Reflections on walking performance, poetry and technology
This presentation reflects on the concept of topogesture which is a methodological distillation emerging from the author’s artistic practice over the last decade, within the remedial convergences of walking performance, poetry, and technology. Etymologically viewed, such a neologism is created as an oscillation between place (topos) and gesture (cheironomia), aiming to underscore how the artistic act invests meaning into and derives meaning from
Walking as Research Practice
What might be considered the research output of a walking practice? An important caveat to this would be to ask where and when the research occurs in relation to the walk, the walking, and the walkers. Does the walk activate our senses, or do our senses demand that we walk? Since walking involves encounters with
The Walking Assembly 2026
The Walking Assembly 2026 (9–13 May 2026) is a nomadic, field-based gathering in Catalonia for artists, researchers, educators, and collectives exploring walking as embodied, relational, and ecological knowledge. Moving from conference to assembly, it proposes learning without teaching, where knowledge emerges through shared walking, presence, and collective experience. From Salt to Albanyà and along the Muga River, the Assembly foregrounds water, movement, attention, walking and being together in place as pedagogical forces.
Walking Arts as Movement, Relation, and Utopia – the Milena Principle, Made of Walking, and walking as the 21st-Century Commons
Introducing the new WALC partner The Milena Principle: a nomadic artistic platform that understands walking as movement, relation, and utopia. Through Made of Walking, it cultivates walking as a commons: collective, ecological, ethical, and performative. Rooted in Renaissance humanism and Spaziergangwissenschaft, its practices dissolve boundaries between art and life, foregrounding care, encounter, migration, and shared imagination across places, species, and communities and futures together.


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