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Audiowalk Award 2020: And the winners are…

AudioWalkAward 2020

Guidemate, the platform for audio walks has, together with soundmarker.de the Berlin based lab for site specific audio work, called for applications for the AudioWalk Award 2020.
The winners will be presented in a live live streamed radio show in German language.

Facebook event: https://www.facebook.com/events/228866444884793/

This event has happened

2020-06-24 20:00
2020-06-24 20:00
2020-06-24 20:00

Hosted by: soundmarker.de
Berlin, Germany
Sub-collection

Audiowalk

Sub-collection · 36 items

Awards

Collection · 22 items

Berlin

Collection · 38 items

radio

Collection · 37 items

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Audio Walk Friedrichshain

The Friedrichshain audiotour explores farmer's cottages, worker's palaces, and alternative living spaces in one of Berlin’s liveliest quarters. Over 2.5 hours, participants walk from Karl-Marx Allee to Boxhagener Platz, guided by characters including a young Berliner, a local resident, an architecture critic, and historical figures.

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Sound Walk Land

The Radio show portrays participating pieces of the AudioWalk Award 2020 by Soundmarker and Guidemate. Broadcasted by German public radio Deutschlandfunk Kultur.

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The Art of Sound Walks

The 2 hour long broadcast on National Radio Slovenia will explore the meaning and breadth of sound walks – an artistic format that focuses on sensitizing our perception of the environment and questioning our involvement and influence on it.

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Spaceebah

"Spaceebah" is a radio art piece created by Bonnie Sue Stein during the 2021 Wave Farm Radio Art workshop, based on her travel diaries. Since 1972, Stein has traveled to over 45 countries, documenting her journeys on foot, and plans to continue this audio diary series lifelong.

Bonnie Sue Stein
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Walking Narratives

Masterclass @ SONOHR – Festival 26.-28. September 2021 What happens when the world in your headphones overshadows the real one? When both spaces complement, irritate and question the other? In this masterclass, we’ll be on the lookout for the third space that can be created in an audiowalk. We’ll be delving into the origins of

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pedestrian acts

By de Certeau: In “Walking in the City”, de Certeau conceives pedestrianism as a practice that is performed in the public space, whose architecture and behavioural habits substantially determine the way we walk. For de Certeau, the spatial order “organises an ensemble of possibilities (e.g. by a place in which one can move) and interdictions (e.g. by a wall that prevents one from going further)” and the walker “actualises some of these possibilities” by performing within its rules and limitations. “In that way,” says de Certeau, “he makes them exist as well as emerge.” Thus, pedestrians, as they walk conforming to the possibilities that are brought about by the spatial order of the city, constantly repeat and re-produce that spatial order, in a way ensuring its continuity. But, a pedestrian could also invent other possibilities. According to de Certeau, “the crossing, drifting away, or improvisation of walking privilege, transform or abandon spatial elements.” Hence, the pedestrians could, to a certain extent, elude the discipline of the spatial order of the city. Instead of repeating and re-producing the possibilities that are allowed, they can deviate, digress, drift away, depart, contravene, disrupt, subvert, or resist them. These acts, as he calls them, are pedestrian acts.

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