Search
My feed

Being Human Festival of the Humanities Bristol Soundwalks

Colston's Last Journey

I am Ralph Hoyte, a Bristol-based sound artist. Together with Prof’ Steve Poole (UWE Regional History Centre) I will be conducting an artist-led walk thru’ of my Arts Council England/Bristol Ideas/University of the West of England Regional History Centre-supported work of located soundart, Colston’s Last Journey, as part of the Being Human Festival of the Humanities.

Colston’s Last Journey is a work of sound art layered over the whole of Bristol city centre (and down to Pero’s Bridge) accessed thru’ the smartphone (the walk thru’ will, however, for this occasion be a communal experience thru’ the wonders of Bluetooth!). The work’s subject is Bristol and the Transatlantic Trafficking of Enslaved Africans. On joining the walk you will immediately be set afloat on a sea of spatialised audio. We will then ‘board’ a selection of the ghosts of 9 actual slave ships which sailed from this very quay from the 7th – early 19th centuries – each slave ship representing one aspect of the trade in enslaved Africans. You are then invited back to MShed/Bristol for a chat!

This event has happened

2024-11-09 14:00
2024-11-09 14:00
2024-11-09 14:00

Hosted by: Being Human Festival of the Humanities/School of Advanced Study University of London/ AHRC - Arts & Humanities Research Council/The British Academy
1945 Colston Ave, Bristol BS1 4UA, UK

art

Collection · 191 items

history

10 sub-collections · 252 items
Sub-collection

sound

Sub-collection · 221 items
Sub-collection

Soundwalk

Sub-collection · 99 items

Related

Sound walk

Colston’s Last Journey (Worldwide)

Roll out this walk thru version of Ralph Hoyte's Colston’s Last Journey work of soundart about Bristol and the Transatlantic Trafficking of Enslaved Africans anywhere in the world (iPhone; we're getting there for Android). For further info and to experience the work search colstonslastjourney.uk and follow the link to the 'worldwide' version.

Ralph Hoyte
walkingevent

Being Human Festival of the Humanities Bristol Soundwalks #2

An artist-led walk thru' of the Sacking of Bristol Gaol during the 1831 Reform Riots in Bristol, reimagined for located audio

Ralph Hoyte
walkingevent

Presentation of the new TRACKS APP

Invitation to the presentation of the brand new audio app TRACKS on 15 June at 2pm at CC Amstel in Amsterdam.

Renate Zentschnig
Walking piece

iAmbic Pedometer: Ur Manoeuvre

iAmbic Pedometer is an iPhone video of Brennan walking through Sunderland, mixing ambient sound with murmured, poetic utterances. Drawing on Wordsworth, Schwitters, and the idea of the ur, it links language’s sonic origins to the rhythm of walking.

Tim Brennan
walkingevent

The Time is Now! Climate Change Theatre Action in Turin, Italy

Practical Information: THE TIME IS NOW Audio Walk Get ready to join the free traveling audio performance, THE TIME IS NOW, bringing Climate Change Theatre Action 2025 to Turin.Key Details at a Glance Detailed Information Date Saturday, November 8 Time5:00 p.m. Start Location Off Topic (Corso Farini, Turin) Event LocationT he audio walk explores the Campus Einaudi and its surroundings. The performance and the follow-up talk will conclude back at Off Topic. Admission FREE! Important Note for the Audio Walk To fully experience THE TIME IS NOW—the traveling performance—you must bring your own smartphone and a pair of headphones. This is essential, as the performance is delivered entirely as an immersive audio guide.

Art Aia - Creatives In Residence

pedestrian acts

By de Certeau: In “Walking in the City”, de Certeau conceives pedestrianism as a practice that is performed in the public space, whose architecture and behavioural habits substantially determine the way we walk. For de Certeau, the spatial order “organises an ensemble of possibilities (e.g. by a place in which one can move) and interdictions (e.g. by a wall that prevents one from going further)” and the walker “actualises some of these possibilities” by performing within its rules and limitations. “In that way,” says de Certeau, “he makes them exist as well as emerge.” Thus, pedestrians, as they walk conforming to the possibilities that are brought about by the spatial order of the city, constantly repeat and re-produce that spatial order, in a way ensuring its continuity. But, a pedestrian could also invent other possibilities. According to de Certeau, “the crossing, drifting away, or improvisation of walking privilege, transform or abandon spatial elements.” Hence, the pedestrians could, to a certain extent, elude the discipline of the spatial order of the city. Instead of repeating and re-producing the possibilities that are allowed, they can deviate, digress, drift away, depart, contravene, disrupt, subvert, or resist them. These acts, as he calls them, are pedestrian acts.

Problem?

Encountered a problem? Report it to let us know.

  • Include the page on which you encountered the problem.
  • Describe what happened.
  • Describe what you expected to happen.
Follow us