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Creating pilgrimage routes

On Pilgrimage

Faith-based, radical and community-led paths

Today pilgrimage destinations and routes are not limited by faith alone, some not even constrained by an existing route, but carving a new route drawing attention to contested sites and issues sometimes of global significance.

Art has been entwined with pilgrimage from the outset, in iconography and relics, object attribution and travel souvenirs, music and folklore, and more recently in walking performances.

Working alongside the World Trails Network (WTN), a community of trail management and tourism providers, that include many traditional pilgrimage routes and trails that now accommodate secular pilgrims, we are running a series of online events to discuss the roles walking art plays in pilgrimage and vice versa.

Hosted by Lora Aziz, co-chair of the WTN Arts & Culture Task Force and Annemarie Lopez, from walk · listen · create, we bring you panels of thought leaders, trail professionals and walking artists to discuss key themes.

This third event in the series focusses on Faith-based, radical and community-led paths and we are delighted to have Conchita Espino, Director of Mar a Mar, the organisation behind the Camino de Costa Rica, Matthew R Anderson Gatto Chair of Christian Studies, at St. Francis Xavier University, Antigonish, Nova Scotia, Canada and author of The Good Walk: Creating New Paths on Traditional Prairie Trails, and Jane Sharkey creator of the Lundy Pilgrimage Trail as guest presenters.

Read summaries of previous events in the On Pilgrimage series here and or watch the video recordings of the events from our archive.

Further events in series include:

2nd June – Art on the pilgrim path – Artists working along routes and in landscapes
7th July  – Stories from the road – Walking writing, sound, photography and archives
4th August – Communities and Trails – Local voices, custodianship and care

Concurrent with this series of online events we are also running a poetry writing competition on pilgrimage – read more here.



Our guests receive a 70% share of new ticket revenue. If you are genuinely unable to afford to purchase a ticket, please contact us using the form below, and we will happily issue you with a complimentary ticket.

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Hosts

jane sharkey

jane sharkey

Creatively walking (United Kingdom) 
Matthew Anderson

Matthew Anderson

writer, pilgrim, professor, learning to walk again (Canada) 
Lora Aziz

Lora Aziz

(United Kingdom) 
Annemarie Lopez

Annemarie Lopez

Writer, walker, digital storyteller, psychogeographer (United Kingdom) 

Supported by

The World Trails Network

The World Trails Network (WTN) strives to connect the diverse trails of the world to promote the creation, enhancement, and protection of ou
Lora AzizAli Pretty
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2026-05-05 18:00
2026-05-05 18:00

Online
Sub-collection

On Pilgrimage

Sub-collection · 6 items

Related

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On Pilgrimage: what we have learned so far

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Sacred Steps

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Art on the Pilgrim Path

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Video record of the third On Pilgrimage event in the series focussing on Faith-based, radical and community-led pathsand we are delighted to have Conchita Espino, Director of Mar a Mar, the organisation behind the Camino de Costa Rica,  Matthew R Anderson Gatto Chair of Christian Studies, at St. Francis Xavier University, Antigonish, Nova Scotia, Canada and author of The Good Walk:

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Stories from the Pilgrim’s Road

Walking writing, sound, photography and archives Every road a pilgrim travels is pre-loaded with stories, and each pilgrim’s journey is a story in itself. In this episode of the On Pilgrimage series we are investigating stories, and the media through which they are told. Working alongside the World Trails Network (WTN), a community of trail management and

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pedestrian acts

By de Certeau: In “Walking in the City”, de Certeau conceives pedestrianism as a practice that is performed in the public space, whose architecture and behavioural habits substantially determine the way we walk. For de Certeau, the spatial order “organises an ensemble of possibilities (e.g. by a place in which one can move) and interdictions (e.g. by a wall that prevents one from going further)” and the walker “actualises some of these possibilities” by performing within its rules and limitations. “In that way,” says de Certeau, “he makes them exist as well as emerge.” Thus, pedestrians, as they walk conforming to the possibilities that are brought about by the spatial order of the city, constantly repeat and re-produce that spatial order, in a way ensuring its continuity. But, a pedestrian could also invent other possibilities. According to de Certeau, “the crossing, drifting away, or improvisation of walking privilege, transform or abandon spatial elements.” Hence, the pedestrians could, to a certain extent, elude the discipline of the spatial order of the city. Instead of repeating and re-producing the possibilities that are allowed, they can deviate, digress, drift away, depart, contravene, disrupt, subvert, or resist them. These acts, as he calls them, are pedestrian acts.

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