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Exeter Sound Walks

Exeter Sound Walks – Dream Fest

Three short group sound walks led by Emma Welton along the river Exe and nearby, in central Exeter, Devon, England. Part of Cygnet Theatre’s 40th birthday ‘Dream’ Festival and Art Week Exeter. 29th May, 12th and 26th June.

This event has happened

2022-06-26 13:00
2022-06-26 13:00
2022-06-26 13:00

Hosted by: Cygnet Theatre
Exeter, UK

Devon

Collection · 7 items

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An Evening Symphony, with Barbed Wire

A Sound Walk podcast conversation. Composer Emma Welton walks, listens and talks with artist Volkhardt Müller an Exeter-based multidisciplinary artist with a professional interest in landscape, how people shape it and how it shapes people.

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Exeter Sound Walks

Sound Walks, together, in Exeter in May and June.

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Exeter Sound Walks

Sound Walks, together, in Exeter in May and June.

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Nocturne – Vivid Sydney

Wander away from the Light Walk on an immersive audio journey through the hidden streets and laneways of The Rocks. Let your ears lead the way in this one-of-a-kind experience, transforming familiar locales into a poetic landscape as you journey towards the night sky for a special star-gazing session. Created by one step at a time like

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Über die unerträgliche Vieldeutigkeit des Seins (Finissage)

Finissage of the Soundwalk|Exhibition “Über die unerträgliche Vieldeutigkeit des Seins”

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pedestrian acts

By de Certeau: In “Walking in the City”, de Certeau conceives pedestrianism as a practice that is performed in the public space, whose architecture and behavioural habits substantially determine the way we walk. For de Certeau, the spatial order “organises an ensemble of possibilities (e.g. by a place in which one can move) and interdictions (e.g. by a wall that prevents one from going further)” and the walker “actualises some of these possibilities” by performing within its rules and limitations. “In that way,” says de Certeau, “he makes them exist as well as emerge.” Thus, pedestrians, as they walk conforming to the possibilities that are brought about by the spatial order of the city, constantly repeat and re-produce that spatial order, in a way ensuring its continuity. But, a pedestrian could also invent other possibilities. According to de Certeau, “the crossing, drifting away, or improvisation of walking privilege, transform or abandon spatial elements.” Hence, the pedestrians could, to a certain extent, elude the discipline of the spatial order of the city. Instead of repeating and re-producing the possibilities that are allowed, they can deviate, digress, drift away, depart, contravene, disrupt, subvert, or resist them. These acts, as he calls them, are pedestrian acts.

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