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Into the Night: An Evening of Nocturnal Wanderings

FS1

On nights like this when the air is so clear, you end up saying things you ordinarily wouldn’t. Without even noticing what you’re doing, you open up your heart and just start talking to the person next to you—you talk as if you have no audience but the glittering stars, far overhead.’
Banana Yoshimoto, Goodbye Tsugumi

‘Several small clouds drifted through the sky. When one of them passed before the moon, the world’s filter changed. First my hands were silver and the ground was black. Then my hands were black and the ground silver. So we switched, as I walked, from negative to positive to negative, as the clouds passed before the moon.’
Robert Macfarlane, The Wild Places

Welcome to the beautiful eerie darkness and our gathering on the night before the longest night. This is the nocturnal world, the place we walk illuminated by constellations of twinkling skies and powerful planets; the locale where our perambulations offer other ways of dwelling and sensing our being in the world and its myriad human and non-human presences. Join us as we stroll together, physically and conceptually, sharing our stories, experiences, feelings, senses and night-time reveries.

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2022-12-20 19:00
2022-12-20 19:00
2022-12-20 19:00

Online

walk · listen · café

Collection · 114 items

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Metamorphoses on the walking paths with Koen Broucke

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Walktober- celebrating walking art with the Marŝarto Awards

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From the everyday to the unexpected – exploring our world through sound with Diane Hope

“a hypnotic, sensual tapestry”  Elizabeth Mahoney writing about Diane’s Lonely Nights radio feature in The Guardian “a superbly crafted evocation of a way of life lost – but not entirely forgotten” the Radio Times on Diane’s experimental audio documentary feature Ghost Town (for Between the Ears, BBC Radio 3) “She is a phenomenon and you should absolutely work with

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pedestrian acts

By de Certeau: In “Walking in the City”, de Certeau conceives pedestrianism as a practice that is performed in the public space, whose architecture and behavioural habits substantially determine the way we walk. For de Certeau, the spatial order “organises an ensemble of possibilities (e.g. by a place in which one can move) and interdictions (e.g. by a wall that prevents one from going further)” and the walker “actualises some of these possibilities” by performing within its rules and limitations. “In that way,” says de Certeau, “he makes them exist as well as emerge.” Thus, pedestrians, as they walk conforming to the possibilities that are brought about by the spatial order of the city, constantly repeat and re-produce that spatial order, in a way ensuring its continuity. But, a pedestrian could also invent other possibilities. According to de Certeau, “the crossing, drifting away, or improvisation of walking privilege, transform or abandon spatial elements.” Hence, the pedestrians could, to a certain extent, elude the discipline of the spatial order of the city. Instead of repeating and re-producing the possibilities that are allowed, they can deviate, digress, drift away, depart, contravene, disrupt, subvert, or resist them. These acts, as he calls them, are pedestrian acts.

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