The second of an initial series of three Map Scrambles in which walking artists share how each of them documents walking art, specifically be adapting, modifying or creating their own maps.
Early last year, Clara Gari of Nau Côclea, our EU partner in the Walking Arts and Local Communities project, hosted a Confluence on ‘documenting walking art’ with guest Ernesto Pujol, and subsequently ran a Spanish language event to further discuss the outcomes of the original Confluence.
Prompted by the closing of the Secret Maps exhibition at the British Library, we invited members of the Walking Artists Network to present and discuss why they choose maps to document their walking art. This invitation was taken up by more than 20 walking artists, and it is with pleasure that we are offering to begin with, 3 Map Scrambles as we have labelled them, for as many of these walking artists to present their map work.
The online events will each include 3-4 minute presentations by 4-8 walking artists followed by discussion. Owing to technical and time constraints and to create sufficient time for thoughtful discussion we have asked each of the presenters to either audio record themselves, or creating a narrated powerpoint or video, of no more than 4 minutes talking about their pieces and maps.
The questions we are asking them to address in their 3-4 minute presentations are:
A) Who you are and what was your walking piece that you documented with a map?
B) Why you chose a map to document your piece?
C) The process of creating the map?
D) What were the plus points from having the map?
E) On reflection, what would you have done differently to improve on what you did, and why?
Walking artist presenters for this evening’s event are: Marlene Creates, Ruth Broadbent, Idit Nathan, Martin Eccles, Barbara Lounder and Rachel Gomme
Map Scramble 3 on Thursday 26 March with walking artist presenters: Tamsin Grainger, Hannah Stageman, Fiona Hooton, Bill Psarras, Elspeth Penfold, and Petra Johnson.
Map Scramble 1 included David Haley, Lucy Furlong, Janette Kerr, Emily Artinian and Lin Charlston.
Hosts
Walking Arts & Local Communities (WALC) is an artistic cooperation project, co-funded by the European Union, Creative Europe, starting in January 2024 for four years. With seven partners from five countries, WALC establishes an International Center for Artistic Research and Practice of Walking Arts, in Prespa, Greece, at the border with Albania and North Macedonia, backed up by an online counterpart in the format of a digital platform for walking arts.
WALC builds on the previous work of hundreds of artists and researchers already practicing Walking Arts as a collaborative medium, and having met at the significant previous walking arts events and encounters in Greece, Portugal, Spain, France, Belgium, and during online activities at walk · listen · create.

We acknowledge the support of the EU Creative Europe Cooperation grant program in the framework of the European project WALC (Walking Arts and Local Community).
Funded by the European Union. Views and opinions expressed are however those of the author(s) only and do not necessarily reflect those of the European Union or the European Education and Culture Executive Agency (EACEA). Neither the European Union nor EACEA can be held responsible for them.
| Video recording |
Related
WALC Confluence 6 hosted by Nau Côclea documenting walking art, featuring Ernesto Pujol.
How do you document Walking art? Asks your host, Clara Gari from Nau Côclea. For some artists documenting their work is a process of making a further an artwork in itself, for others the walk is the document. In 1998, the CDAN (The Centre of Art & Nature) in Huesca, Spain, commissioned a piece for
Map Scramble 1
There is growing interest in how each of us documents walking art, especially as walk · listen · create and its predecessor, the Museum of Walking, has been gathering archival walking pieces for almost 10 years. Early last year, Clara Gari of Nau Côclea, our EU partner in the Walking Arts and Local Communities project,
Map Scramble 3
The third of an initial series of three Map Scrambles in which walking artists share how each of them documents walking art, specifically be adapting, modifying or creating their own maps. Early last year, Clara Gari of Nau Côclea, our EU partner in the Walking Arts and Local Communities project, hosted a Confluence on ‘documenting
Scrambling for maps
March 2026 we are holding 3 online Map Scrambles, in which artists will be discussing when and why they use maps or mapping to document their walking art. Map Scramble 1 (Monday 23 7pm GMT) Map Scramble 2 (Wednesday 25 7pm GMT) Map Scramble 3 (Thursday 26 7pm GMT) Each events part of the
WALC Map Scramble 2 – documenting walking art with maps and mapping
Walking artist presenters featured in this video are: Marlene Creates, Ruth Broadbent, Idit Nathan, Martin Eccles, Barbara Lounder and Rachel Gomme. Please note that some technical issues were encountered when showing the presentations. For a Summary of this meeting please see the post “Scrambling for maps“. The second of an initial series of three Map
Undergrowth
South London artist, Rachel Gomme co-produced “Undergrowth” - an investigation in to the natural growth amid the concrete, brick and asphalt of two of south London’s neighbourhoods. It provided a chance to reconnect with the natural within the city, and with the human body as part of nature.
Find Your London: Tree or False?
Devised by Andrew Stuck of the Museum of London, this walkshop became a regular event as part of the Mayor of London’s London Tree Week, and subsequent Urban Tree Festivals. Everyone has heard ‘an old wives’ tale’ about a certain tree species, some of which have a layer of truth within them, others are downright
WALC Map Scramble 1 – documenting walking art with maps and mapping
Map Scramble 1 – presenters David Haley (UK), Lucy Furlong (UK), Janette Kerr (UK) and Emily Artinian (US) For a Summary of this meeting please see the post “Scrambling for maps“. There is growing interest in how each of us documents walking art, especially as walk · listen · create and its predecessor, the Museum


You must be logged in to post a comment.