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WALC Confluence 6 hosted by Nau Côclea documenting walking art, featuring Ernesto Pujol.

Speaking in Silence

How do you document Walking art? Asks your host, Clara Gari from Nau Côclea.

For some artists documenting their work is a process of making a further an artwork in itself, for others the walk is the document.

In 1998, the CDAN (The Centre of Art & Nature) in Huesca, Spain, commissioned a piece for its outdoor sculpture and land art collection from the artist Richard Long: a circle of stones to be placed at the foot of the Maladeta peak, the highest in the Pyrenees that was to be named “Spanish Circle”. Richard Long accepted the commission but requested to create the work during a solo walk through the Aigualluts Valley. Five days later, the CDAN received a photograph with indications that the piece was located in a hard-to-reach area. Thirty years later, nature has made the circle of stones disappear but Richard Long’s work – as a piece of walking art – remains one of the most important pieces in CDAN’s collection.

This case excellently illustrates the questions we will discuss here: for some artists, walking itself is the artwork. For others, the documentation of the journey is not the work itself but is essential for communicating the project on a lasting basis. In such cases, how do they document the work, and how do they share and show it to the public? What resources and strategies best capture the experience and creation of the artist: travel journals, photographs, drawings, sound recordings, video?

So we are asking prominent Walking Artists to tell us how they document their walking work. 

We would like to draw from as wide a world of artists, including from our own community, and this event is to launch a series of online café events over the next three years, to which we will invite artists to discuss documenting work.

We are delighted that Ernesto Pujol, social choreographer, author  and educator, will illustrate how he documents his walking art. 

Confluence events are an opportunity for you to learn more about the part-EU funded Walking Art and local Communities project, and at this event, project Artistic-coordinators Yannis Ziogas and Geert Vermeire will in addition to updating you with the WALC project progress, will also choose examples of what they consider well-documented work from previous Prespa Walk Encounters.

NOTE: Presentations will be made in English, and where possible we will provide Spanish translation.


When booking your ticket, take a moment to bring your walk · listen · create profile is up to date, or add a bio to create one if you haven’t already. To keep up to date with the Walking Arts and Local Communities over its four year duration, make sure you are subscribing to the weekly walk · listen · create newsletter.


The co-funded EU Walking Arts and Local Communities (WALC) project offers an opportunity for public scrutiny of the project, by running bi-monthly free “Confluence events”, in which project partners come together to present how the aspect of the project for which they are responsible is progressing.

Hosts

Clara Gari

Clara Gari

Walking, cooking, loving, exploring and wine drinking (Spain) 
Ernesto Pujol

Ernesto Pujol

Social Choreographer (United States) 
Yannis Ziogas

Yannis Ziogas

I wander in places visible/ invisible. I find objects/incidents (Greece) 
Geert Vermeire

Geert Vermeire

co-founder of walk · listen · create (Belgium) 

Supported by

Contemporary Art Center Nau Coclea

We are small and independent but we are sustainable and we love what we do.
Clara Gari

Walking Arts & Local Communities (WALC) is an artistic cooperation project, co-funded by the European Union, Creative Europe, starting in January 2024 for four years. With seven partners from five countries, WALC establishes an International Center for Artistic Research and Practice of Walking Arts, in Prespa, Greece, at the border with Albania and North Macedonia, backed up by an online counterpart in the format of a digital platform for walking arts.

WALC builds on the previous work of hundreds of artists and researchers already practicing Walking Arts as a collaborative medium, and having met at the significant previous walking arts events and encounters in Greece, Portugal, Spain, France, Belgium, and during online activities at walk · listen · create.

We acknowledge the support of the EU Creative Europe Cooperation grant program in the framework of the European project WALC (Walking Arts and Local Community).

Funded by the European Union. Views and opinions expressed are however those of the author(s) only and do not necessarily reflect those of the European Union or the European Education and Culture Executive Agency (EACEA). Neither the European Union nor EACEA can be held responsible for them.

This event has happened

2025-01-22 18:30
2025-01-22 18:30

Video recording of Confluence 6
Hosted by: Nau Côclea
Online

Confluences

Collection · 14 items

Related

book

Sited Body, Public Visions: silence, stillness & walking as Performance Practice

Sited Body, Public Visions: silence, stillness & walking as Performance Practice (2012) is the "bodybiography" of social choreographer Ernesto Pujol.

Ernesto Pujol
book

Walking Art Practice: Reflections on Socially Engaged Paths

Walking Art Practice, Reflections on Socially Engaged Paths was published by Triarchy Press, London in 2018. Serving as an intimate walker’s manifesto, this little book consists of a generous collection of short, personal, field reflections by artist Ernesto Pujol on walking as a socially engaged art form, bringing together his experiences as a former monk,

Ernesto Pujol
video

Documenting walking art – WALC Confluence 6 hosted by Clara Gari with guest Ernesto Pujol

How do you document Walking art? Asks your host, Clara Gari from Nau Côclea. For some artists documenting their work is a process of making a further an artwork in itself, for others the walk is the document. What resources and strategies best capture the experience and creation of the artist: travel journals, photographs, drawings, sound recordings,

Clara Gari Ernesto Pujol
walkingevent

Documenting walking art – next steps

BY INVITATION ONLY - Spanish language event with guests including Ernesto Pujol hosted by Clara Gari discussing how to document walking art.

Clara Gari Ernesto Pujol
walkingevent

Map Scramble 2

The second of an initial series of three Map Scrambles in which walking artists share how each of them documents walking art, specifically be adapting, modifying or creating their own maps. Early last year, Clara Gari of Nau Côclea, our EU partner in the Walking Arts and Local Communities project, hosted a Confluence on ‘documenting

Marlene Creates Ruth Broadbent +5
walkingevent

Map Scramble 3

The third of an initial series of three Map Scrambles in which walking artists share how each of them documents walking art, specifically be adapting, modifying or creating their own maps. Early last year, Clara Gari of Nau Côclea, our EU partner in the Walking Arts and Local Communities project, hosted a Confluence on ‘documenting

Tamsin Grainger Hannah Stageman +4
walkingevent

Map Scramble 1

There is growing interest in how each of us documents walking art, especially as walk · listen · create and its predecessor, the Museum of Walking, has been gathering archival walking pieces for almost 10 years. Early last year, Clara Gari of Nau Côclea, our EU partner in the Walking Arts and Local Communities project,

Lucy Furlong Janette Kerr +4
Sound walk

Grand Tour Slow Train soundwalk

Grand Tour is a 250 km, three-week walk by multidisciplinary artists from the Ebro River Delta to Lleida, taking place from August 14 to September 1, 2019. The project concludes with participants boarding Catalonia's slowest train from Lleida to Barcelona, where they will create a moving sound map through recordings, walking choreography, and collaborative activities.

Clara Gari
Walking piece

Ascending into Trenches

Yannis Ziogas I wander in places visible and invisible. I find objects, I trace experiences, I foresee conditions of creativity. Where do I locate myself? I have been in places […]I have wondered in conditions and situations[…] And now I am here. Where is that here? Who do I find in this here?

Yannis Ziogas Vasilis_Ioakeimidis
Walking piece

Libraries as Gardens – sound walk in Athens

The National Garden of Athens hosts an interactive audio project featuring global participants sharing stories and readings about their favorite public gardens during the pandemic, accessible via a mobile webapp or desktop map. This evolving sound walk includes lockdown silence recordings and aims to create a geolocated audio archive of personal and public garden experiences before, during, and after COVID-19.

Geert Vermeire
walkingevent

WALC Confluence 11 – Inspiring the next generation of walking artists

Fred Adam and Geert Vermeire host this special Confluence to announce the launch of an online course on walking art and an interactive map to strengthen engagement with walking artists and collectives across the WALC ecosystem. There follows a presentation at 20h CET by Yannis Ziogas regarding the Encounter to take place in Prespa in

Fred Adam Geert Vermeire +9
walkingevent

WALC Confluence 9 – Prespa Reflections – walking home, walking in transition and beyond

We are keen to hear from attendees and participants of this year’s Prespa Encounter – were you there? What were your highlights and how would you like the Encounter to evolve? If you have been to a previous Encounter in Prespa, but were unlucky enough not to be there earlier this month, we would still like to hear about the highlights and memories you have too.

Geert Vermeire Yannis Ziogas +1
walkingevent

WALC Confluence 7 – in loving memory

End of year report and an intriguing photographic exhibition

Geert Vermeire Yannis Ziogas +1
walkingevent

WALC Confluence 5 hosted by De School van Gaasbeek, featuring Publiek Park

Anna Luyten introduces the Belgian nomadic contemporary art project Publiek Park, which explores public city parks and gardens as its exhibition grounds. The project invites both international and local artists to create artworks that draw inspiration from the surroundings in a site-sensitive manner. Walking is employed as a curatorial methodology to discover the parks with

Anna Luyten Jef Declercq

pedestrian acts

By de Certeau: In “Walking in the City”, de Certeau conceives pedestrianism as a practice that is performed in the public space, whose architecture and behavioural habits substantially determine the way we walk. For de Certeau, the spatial order “organises an ensemble of possibilities (e.g. by a place in which one can move) and interdictions (e.g. by a wall that prevents one from going further)” and the walker “actualises some of these possibilities” by performing within its rules and limitations. “In that way,” says de Certeau, “he makes them exist as well as emerge.” Thus, pedestrians, as they walk conforming to the possibilities that are brought about by the spatial order of the city, constantly repeat and re-produce that spatial order, in a way ensuring its continuity. But, a pedestrian could also invent other possibilities. According to de Certeau, “the crossing, drifting away, or improvisation of walking privilege, transform or abandon spatial elements.” Hence, the pedestrians could, to a certain extent, elude the discipline of the spatial order of the city. Instead of repeating and re-producing the possibilities that are allowed, they can deviate, digress, drift away, depart, contravene, disrupt, subvert, or resist them. These acts, as he calls them, are pedestrian acts.

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