Pride Square II is a series of 12 small drawings that attempt to capture the energy and personality of a person walking through a busy public square in Sydney's Inner West suburb of Newtown.

Rachael Clewlow’s Explorer (2011) visualizes her daily movements through the city using colour-coded tracks. Based on her “‘statistical diaries’,” it transforms walking patterns into abstract forms and colours, mapping mobility as art.

William Anastasi’s Pocket Drawings are made by marking folded sheets in his pocket while walking, creating abstract traces of movement. Part of his “unsighted” practice, they explore chance, motion, and perception, translating physical experience into subtle visual forms.

Walter De Maria’s 1969 Las Vegas Piece – mile-long bulldozer lines forming a square in the desert – was hard to find even then and is now barely visible. The work’s elusiveness was central to the experience, emphasizing remoteness and chance.

For Mile Long Drawing, De Maria drew two parallel chalk lines a mile long in the Mojave Desert, bringing Minimalism outdoors.

Jeremy Wood’s My Ghost maps fifteen years of his journeys via GPS, turning movement into personal cartography. Footpaths, motorways, and flights create textured visual records, exploring how travel, landscape rules, and straying from routes shape experience.

In Walking Drawing, Marioni attaches colored pencils to his waist and walks along a long paper, creating wavy, overlapping lines that transform simple movement into a performance-based drawing.