The film documents the Seven Walks in a Holy City project (2011), Walking, playing and collecting photographs in the city of Jerusalem.

Cards picked out at the outset of each day define where the walk starts from and the theme for the day. A die tossed at the starting point of each walk and then at regular intervals throughout it, dictates directions to walk in and another die dictates how often a photo is taken.

7 walks in 28 Minutes was screened as part of Footnotes Playing Dead, Standpoint Gallery, London (2015). It was also screened in numerous academic conference as well as exhibitions such as Metageography : Space – Image – Action, Pushkin House, London (2017), Metageography: Orientalism or Dreams of Robinson, Zarya Centre for Contemporary Art, Vladivostok (2018) and Foreignness (2019) at KUMU (Estonian Art Museum) to name but some.
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