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2011

A Day in the Life: The Walkers of Birmingham

Still
Birmingham, UK

Birmingham

Collection · 41 items

community

2 sub-collections · 203 items
Sub-collection

soundtrack

Sub-collection · 6 items

Related

walkingevent

Walking together – about WALC and Made of Walking

Curator Geert Vermeire and artist Stefaan van Biesen present their two decade long collaboration in the field of walking art, their initiative Made of Walking, and the European wide project WALC project in Beveren, Belgium.

Geert Vermeire Stefaan van Biesen
walkingevent

COMMON

An immersive walking theatre show written by Bernadette Russell and brought to life by brilliant theatre company Teatro Vivo- about the battle of Sydenham Common and the enclosures act which changed the landscape of England forever.

Bernadette Russell
walkingevent

Audiowalk Austausch

Der Audiowalk Austausch entstand aus dem NEXT STEPS Audiowalk-Barcamp mit Künstler*innen aus den freien darstellenden Künsten und richtet sich an alle, die Lust haben, sich mit anderen Audiowalk-Künstler*innen zu vernetzen.

Storydive
walkingevent

Walking the Unspoken

This gamified sensory walk fosters embodied dialogue with others and the landscape, exploring trauma-informed design, somatic movement, and socially engaged walking art. Through subtle constraints, participants experience challenges faced by neurodivergent individuals, prompting adaptation and reflection. Checkpoints encourage movement-based prompts, conversation, and reimagining walking as a political, inclusive practice.

Miguel Bandeira Duarte

Birmingham

Collection · 41 items

community

2 sub-collections · 203 items
Sub-collection

soundtrack

Sub-collection · 6 items

Related

walkingevent

Walking together – about WALC and Made of Walking

Curator Geert Vermeire and artist Stefaan van Biesen present their two decade long collaboration in the field of walking art, their initiative Made of Walking, and the European wide project WALC project in Beveren, Belgium.

Geert Vermeire Stefaan van Biesen
walkingevent

COMMON

An immersive walking theatre show written by Bernadette Russell and brought to life by brilliant theatre company Teatro Vivo- about the battle of Sydenham Common and the enclosures act which changed the landscape of England forever.

Bernadette Russell
walkingevent

Audiowalk Austausch

Der Audiowalk Austausch entstand aus dem NEXT STEPS Audiowalk-Barcamp mit Künstler*innen aus den freien darstellenden Künsten und richtet sich an alle, die Lust haben, sich mit anderen Audiowalk-Künstler*innen zu vernetzen.

Storydive
walkingevent

Walking the Unspoken

This gamified sensory walk fosters embodied dialogue with others and the landscape, exploring trauma-informed design, somatic movement, and socially engaged walking art. Through subtle constraints, participants experience challenges faced by neurodivergent individuals, prompting adaptation and reflection. Checkpoints encourage movement-based prompts, conversation, and reimagining walking as a political, inclusive practice.

Miguel Bandeira Duarte
Walking piece
Using GPS traces, we made a living portrait of 24 hours in Birmingham with the people who move through its streets, parks, waste grounds and tow paths on foot for the Fierce Festival and the Midlands Art Centre (MAC).

Using GPS traces, we made a living portrait of 24 hours in Birmingham with the people who move through its streets, parks, waste grounds and tow paths on foot for the Fierce Festival and the Midlands Art Centre (MAC)

A Day in the Life – The Walkers of Birmingham is a portrait of a city as experienced at ground level. The animation emphasises walking, making lines from other forms of transportation more feint.

The outcomes of ‘A Day in the Life, the Walkers of Birmingham’ have so far been a performance lecture given at the MAC as part of the Fierce Festival, as well as an ongoing cartographic animation with a soundtrack of participants narrating their own stories behind their traces. This animation shows a day in the life of Birmingham by playing all the GPS traces back as if they had happened on the same day, but keeping the time of day intact. A 24-hour portrait of the city is achieved with the night owls, shift workers and insomniacs making their way home as then the early morning commuters, dog walkers joggers, post men and women beginning their day. Parks and open spaces blossom during daylight hours, a cycle courier buzzes around the centre and a woman says ‘Hello’ to her Nan on the way to work.

APA style reference

New, S., & Rogers, D., & plan b (2011). A Day in the Life: The Walkers of Birmingham. walk · listen · create. https://walklistencreate.org/walkingpiece/a-day-in-the-life-the-walkers-of-birmingham/
Submitted by: Babak Fakhamzadeh

pedestrian acts

By de Certeau: In “Walking in the City”, de Certeau conceives pedestrianism as a practice that is performed in the public space, whose architecture and behavioural habits substantially determine the way we walk. For de Certeau, the spatial order “organises an ensemble of possibilities (e.g. by a place in which one can move) and interdictions (e.g. by a wall that prevents one from going further)” and the walker “actualises some of these possibilities” by performing within its rules and limitations. “In that way,” says de Certeau, “he makes them exist as well as emerge.” Thus, pedestrians, as they walk conforming to the possibilities that are brought about by the spatial order of the city, constantly repeat and re-produce that spatial order, in a way ensuring its continuity. But, a pedestrian could also invent other possibilities. According to de Certeau, “the crossing, drifting away, or improvisation of walking privilege, transform or abandon spatial elements.” Hence, the pedestrians could, to a certain extent, elude the discipline of the spatial order of the city. Instead of repeating and re-producing the possibilities that are allowed, they can deviate, digress, drift away, depart, contravene, disrupt, subvert, or resist them. These acts, as he calls them, are pedestrian acts.

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