Related
Circular Walk inside Arctic Circle, Around Inuvik, N.W.T.
N.E. Thing Co.’s Arctic walk in Inuvik documented steps, distance, and circular movement, while the Baxters transformed maps with instructions and drawings, turning abstract space into lived, dynamic landscapes that challenged rationalized grids and static representations.
Rediscovering Britain with Quintin Lake
Join Quintin Lake for an illustrated discussion of his solo pilgrimage around the coast of Britain. We are delighted to welcome Quintin Lake here to Hatchards this evening for an illustrated talk on his experience of walking and photographing Britain for his book The Perimeter. On Friday 17 April 2015, photographer Quintin Lake set off
Related
Circular Walk inside Arctic Circle, Around Inuvik, N.W.T.
N.E. Thing Co.’s Arctic walk in Inuvik documented steps, distance, and circular movement, while the Baxters transformed maps with instructions and drawings, turning abstract space into lived, dynamic landscapes that challenged rationalized grids and static representations.
Rediscovering Britain with Quintin Lake
Join Quintin Lake for an illustrated discussion of his solo pilgrimage around the coast of Britain. We are delighted to welcome Quintin Lake here to Hatchards this evening for an illustrated talk on his experience of walking and photographing Britain for his book The Perimeter. On Friday 17 April 2015, photographer Quintin Lake set off
Daniella Turbin’s artistic practice combines long distance walking with photography, drawing and writing. In 2022 she embarked on her longest walk to date – around the whole of Great Britain. Setting off from and returning to her home in Essington, South Staffordshire the artist planned a route that would pass through every county and take about a year to complete.
Daniella documented her daily experiences of the walk through analogue photography, diary and logbook entries and posts on Instagram and since her return home, has been editing this material into a book which inspired the new work for her solo exhibition.
An environment constructed from paper and drawings has been created in the gallery space, using a monochrome colour palette informed by the materials of the artist’s practice. A large collage chronicling the journey is painted, pasted and drawn directly onto the walls, these processes making reference to the urban environment. Hand-drawn maps are displayed in groups, not arranged according to traditional areas or counties, but to reflect the different phases of the artist’s walk. Daniella’s basecamp – her tent and personal belongings have been reconstructed in paper and pitched atop a grid for a map drawn onto the gallery floor.

One thought on “A Place to Return To”
You must be logged in to post a comment.