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2012

An Umbrella for 2

1572959268.Umbrella-for-2
Marina Bay, Singapore
60 minutes

Sub-collection

Augmented Reality

Sub-collection · 28 items

Related

walkingevent

Listen and walk to One Circuitous Path with creators

Starting at the Parnell Road entrance to Victoria Park, London, just by the Hertford Union Top Lock No. 1, join the creators and contributors to the sound walk One Circuitous Path as we walk and listen to the sound walk.

Rebekah Lattin-Rawstrone
Sound walk

La Passante Ecoutante #4 – Rummelsburg & Victoria-Stadt

This auditory walk by Niki Matita, with Michael Freerix and Holmer Feldmann, explores Berlin's Victoria-Stadt and Rummelsburg neighborhoods in Lichtenberg. The route includes sites such as Rummelsburg Bay, a reed biotope, former squats, and the first cement buildings in Germany.

Niki Matita
walkingevent

Highbury SOUNDwalk

An early morning guided SOUNDwalk of Highbury Park which will offer participants an opportunity to tune in and expose their ears to sounds of the environment that we may not normally hear. The walk will begin at 7am and depart from the play area. The route will take soundwalkers off the beaten path and participants

Annie Mahtani
walkingevent

Underneath The Arches

Underneath The Arches is a soundwalk along the Kennett and Avon canal from The Holburne Museum, Bath to Avoncliff Aqueduct by saxophonist Nick Sorensen.He will perform an improvisation underneath the arches of the bridges, tunnels and aqueducts along the route, responding to the specific acoustics of each of the sites. The walk will commence at

Nick Sorensen
Sub-collection

Augmented Reality

Sub-collection · 28 items

Related

walkingevent

Listen and walk to One Circuitous Path with creators

Starting at the Parnell Road entrance to Victoria Park, London, just by the Hertford Union Top Lock No. 1, join the creators and contributors to the sound walk One Circuitous Path as we walk and listen to the sound walk.

Rebekah Lattin-Rawstrone
Sound walk

La Passante Ecoutante #4 – Rummelsburg & Victoria-Stadt

This auditory walk by Niki Matita, with Michael Freerix and Holmer Feldmann, explores Berlin's Victoria-Stadt and Rummelsburg neighborhoods in Lichtenberg. The route includes sites such as Rummelsburg Bay, a reed biotope, former squats, and the first cement buildings in Germany.

Niki Matita
walkingevent

Highbury SOUNDwalk

An early morning guided SOUNDwalk of Highbury Park which will offer participants an opportunity to tune in and expose their ears to sounds of the environment that we may not normally hear. The walk will begin at 7am and depart from the play area. The route will take soundwalkers off the beaten path and participants

Annie Mahtani
walkingevent

Underneath The Arches

Underneath The Arches is a soundwalk along the Kennett and Avon canal from The Holburne Museum, Bath to Avoncliff Aqueduct by saxophonist Nick Sorensen.He will perform an improvisation underneath the arches of the bridges, tunnels and aqueducts along the route, responding to the specific acoustics of each of the sites. The walk will commence at

Nick Sorensen
Walking piece
“An Umbrella for 2” is a sound walk written contextually in response to a place and each time renewed in relation to the spaces and populations heard & encountered. A pair of listeners are invited to discover points of view and points of listening all along their journey through the public space. A sound umbrella

“An Umbrella for 2” is a sound walk written contextually in response to a place and each time renewed in relation to the spaces and populations heard & encountered. A pair of listeners are invited to discover points of view and points of listening all along their journey through the public space. A sound umbrella equipped with an MP3 player and two headphones is provided at the start of the walk. After being prepared for hearing by our special “listening-chamber” and being given details to make them technically autonomous, listeners are invited to discover this sound- scape promenade.

This way of listening superimposed onto the real ambient sound as well as accentuating our listening or “augmenting reality”, also gives us new ways of looking at reality. In effect, here, listening permits us to re-orientate our vision, offer it new horizons, focus on a detail, or further still access the invisible, or even another place. Here, the relations established by diverse perceptions and listening create a new relationship with reality. This relationship oscillates between losing our boundaries (disorientation, unbalance, changes of perception) and accessing a new reality (dream state, illusions, mirages, hallucinations), or on the contrary, a concrete situation for the listeners in the heart of reality. The awareness of this paradoxical situation tends to re-locate the listener to question his place and his relationship to the public space: here and now.

This soundtrack will also subtly blend with the real ambient sound, native to the place. Indeed the headphones are open and always let the sound of the “living” space flow through. Having the effect that the ‘real sound’ of the place is expressed, unique, and at the heart of the proposition. This blend of sounds will create, in the heart of the public space, acoustic changes of perspective, rubbing realities, musical vanishing points, highlighting the heard reality.

APA style reference

Marin, S. (2012). An Umbrella for 2. walk · listen · create. https://walklistencreate.org/walkingpiece/an-umbrella-for-2/

pedestrian acts

By de Certeau: In “Walking in the City”, de Certeau conceives pedestrianism as a practice that is performed in the public space, whose architecture and behavioural habits substantially determine the way we walk. For de Certeau, the spatial order “organises an ensemble of possibilities (e.g. by a place in which one can move) and interdictions (e.g. by a wall that prevents one from going further)” and the walker “actualises some of these possibilities” by performing within its rules and limitations. “In that way,” says de Certeau, “he makes them exist as well as emerge.” Thus, pedestrians, as they walk conforming to the possibilities that are brought about by the spatial order of the city, constantly repeat and re-produce that spatial order, in a way ensuring its continuity. But, a pedestrian could also invent other possibilities. According to de Certeau, “the crossing, drifting away, or improvisation of walking privilege, transform or abandon spatial elements.” Hence, the pedestrians could, to a certain extent, elude the discipline of the spatial order of the city. Instead of repeating and re-producing the possibilities that are allowed, they can deviate, digress, drift away, depart, contravene, disrupt, subvert, or resist them. These acts, as he calls them, are pedestrian acts.

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