Related
Chance Encounters
Chance Encounters (1994) by Rut Blees Luxemburg is a nocturnal performance and photographic series exploring women’s presence in the urban night. Cos-playing as executives, Luxemburg engaged strangers, revealing traces, atmospheres, and social currents of London streets.
The Mythic Being: I am the Locus
The Mythic Being: I am the Locus is a series of five photos showing Adrian Piper’s 1975 performance as her alter ego, the Mythic Being, walking through Harvard Square. The photos explore racial identity, invisibility, and internal vs. external experiences.
Related
Chance Encounters
Chance Encounters (1994) by Rut Blees Luxemburg is a nocturnal performance and photographic series exploring women’s presence in the urban night. Cos-playing as executives, Luxemburg engaged strangers, revealing traces, atmospheres, and social currents of London streets.
The Mythic Being: I am the Locus
The Mythic Being: I am the Locus is a series of five photos showing Adrian Piper’s 1975 performance as her alter ego, the Mythic Being, walking through Harvard Square. The photos explore racial identity, invisibility, and internal vs. external experiences.
Five black and white photographs document the action From the Portfolio of Doggedness, which VALIE EXPORT and Peter Weibel carried out in Vienna in February 1968. EXPORT took her fellow artist for a walk—he crawled behind her on all fours on a leash—along the Kärntner Strasse in Vienna, one of the central streets and main shopping areas. This “sociological and behavioral case study” (EXPORT) belongs to the actionistic tradition. “Here the convention of humanizing animals in cartoons is turned around and transferred into reality: Man is animalized—the critique of society as a state of nature” (Weibel). Turning around a piece of normal social behavior makes transparent a particular symbolic order—that of gender specifics—and subjects it to criticism. Here, an active woman leads a passive man on a leash. Crawling, a form of animal behavior, is not, however, a reference to liberation from moral and political discipline or a “better” system. Rather, it points out the necessity of restructuring the social order that has been handed down to us. Photography has a documentary function here, it acts as an “ethno-graphical” study and shows particular communication processes in the observable reactions of the onlookers. The structures of the gazes disclose social behavior and contrast with the action. (Claudia Slanar)
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As published on Generali Foundation’s website.
Credits
©Generali Foundation Collection - Permanent Loan to the Museum der Moderne Salzburg ©Bildrecht, Photo: Josef Tandl

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