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I Don’t Remember Me The Rain
"I Don’t Remember Me The Rain" is a sound walk created during Sound Walk September 2020 in Sint-Niklaas, reconstructing a past journey through a blend of urban and natural sounds and personal memories. The piece serves as a tribute to a late artist friend and reflects on themes of memory, transience, and the observational role of walking in artistic practice.
Shadows and substance – a walk in Harridge Wood
The post documents a longstanding exploration of Harridge Woods on the Mendip Hills, combining walking, drawing, writing, photography, and film to investigate the history of a former resident, Frances Allen. It also reflects on the concept of place as defined by Alan Gussow, emphasizing deep experiential engagement with the environment.
• Short trips, Walking under constraint
During the spring lockdown in France, the artist conducted daily walks limited to one hour within a 1 km radius, creating routes based on drawings like flowers and snails. This process resulted in an archive of 64 drawings, two reflective texts, and a series of engravings exploring the neighborhood and urban changes under strict outing restrictions.
Related
I Don’t Remember Me The Rain
"I Don’t Remember Me The Rain" is a sound walk created during Sound Walk September 2020 in Sint-Niklaas, reconstructing a past journey through a blend of urban and natural sounds and personal memories. The piece serves as a tribute to a late artist friend and reflects on themes of memory, transience, and the observational role of walking in artistic practice.
Shadows and substance – a walk in Harridge Wood
The post documents a longstanding exploration of Harridge Woods on the Mendip Hills, combining walking, drawing, writing, photography, and film to investigate the history of a former resident, Frances Allen. It also reflects on the concept of place as defined by Alan Gussow, emphasizing deep experiential engagement with the environment.
• Short trips, Walking under constraint
During the spring lockdown in France, the artist conducted daily walks limited to one hour within a 1 km radius, creating routes based on drawings like flowers and snails. This process resulted in an archive of 64 drawings, two reflective texts, and a series of engravings exploring the neighborhood and urban changes under strict outing restrictions.
Drummer and writer Susanne Lambert moved to Berlin during the Corona lockdown. Being very limited in the usual actions that are necessary in the process of re-settling and isolated from mingling with the locals, she explores her new surroundings by daily walks, reading and interpreting them in a peculiar way with very little feedback of actual meanings.
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