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2010

Blind Field Shuttle

Untitled
Multiple locations

Sub-collection

Embodiment or Mind Body Connection

Sub-collection · 28 items

Group Walks

Collection · 26 items

Leading and Following

Collection · 7 items

perception

Collection · 20 items

Related

Walking piece

DELIRIUM AMBULATORIUM

Hélio Oiticica’s Delirium Ambulatorium explores urban wandering as a creative practice, a “to-and-from” movement without linearity, where walking through the city feeds the mind, transforms urban space into a playground, and allows new artistic ideas to emerge through sensory, bodily, and chance encounters.

Hélio Oiticica
Walking piece

4 dias 4 noites (4 days 4 nights)

Artur Barrio’s 4 dias 4 noites (1970) was a four-day, four-night solitary dérive through Rio de Janeiro, leaving no records—only memory itself, a hallucinatory archive that later informed and inspired his subsequent works.

Artur Barrio
Walking piece

World-Wide-Walks

World-Wide-Walks by Peter d’Agostino is a decades-long project exploring walking through physical, virtual, and networked spaces. Combining video, installations, and VR, it examines movement, perception, environment, technology, and human interaction.

Peter D'Agostino
Walking piece

Please, walk on here (Kono-ue wo Aruite Kudasai)

In 1955, Shimamoto’s Please Walk on Here used stable and unstable boards to make participants physically experience risk and instability. Recreated for the 1993 Venice Biennale, it highlighted bodily engagement and precarious perception.

Shozo Shimamoto
Sub-collection

Embodiment or Mind Body Connection

Sub-collection · 28 items

Group Walks

Collection · 26 items

Leading and Following

Collection · 7 items

perception

Collection · 20 items

Related

Walking piece

DELIRIUM AMBULATORIUM

Hélio Oiticica’s Delirium Ambulatorium explores urban wandering as a creative practice, a “to-and-from” movement without linearity, where walking through the city feeds the mind, transforms urban space into a playground, and allows new artistic ideas to emerge through sensory, bodily, and chance encounters.

Hélio Oiticica
Walking piece

4 dias 4 noites (4 days 4 nights)

Artur Barrio’s 4 dias 4 noites (1970) was a four-day, four-night solitary dérive through Rio de Janeiro, leaving no records—only memory itself, a hallucinatory archive that later informed and inspired his subsequent works.

Artur Barrio
Walking piece

World-Wide-Walks

World-Wide-Walks by Peter d’Agostino is a decades-long project exploring walking through physical, virtual, and networked spaces. Combining video, installations, and VR, it examines movement, perception, environment, technology, and human interaction.

Peter D'Agostino
Walking piece

Please, walk on here (Kono-ue wo Aruite Kudasai)

In 1955, Shimamoto’s Please Walk on Here used stable and unstable boards to make participants physically experience risk and instability. Recreated for the 1993 Venice Biennale, it highlighted bodily engagement and precarious perception.

Shozo Shimamoto
Blind Field Shuttle is a non-visual walking tour where participants, guided eyes-closed by the artist, explore urban spaces to reflect on accessibility and sensory learning, fostering trust, connection, and shared community experience.

According to Ellen Mueller’s website,

“In 2010–in response to the failures that I experienced as a recipient of disability support services–I started resisting support options that promoted ablest concepts of normalcy and self-identified as a nonvisual learner. The choice was in line with an effort to distance myself from marginalizing language like “blind” and “visually impaired”, and helped me realize the position that I occupied as a liberatory space. Using my nonvisual senses as a primary way of knowing the world lead to Blind Field Shuttle (BFS), an experience in which groups of up to 90 people line up behind me, link arms, and shut their eyes for the duration of a roughly hour-long walk through cities and rural landscapes.

Conducting BFS helped me exercise my nonvisual senses and find a community with whom I could develop a critical methodology for engaging nonvisual space. By 2012 I considered BFS a form of practice-based research and produced a series of nonvisual tours that aimed to uncover the unseen bodies of knowledge in fields influenced by visual primacy. One engagement–at the Guggenheim in 2013–was a touch tour that set a precedent for me to make further work about the potential for critical haptic engagement to become a viable practice within contemporary art and criticism.

Now I perform BFS as a way to demonstrate my proposal for Open Access (2015), a relational model for accessibility that centers considerations of agency and power in relation to the social, cultural, and political conditions in a given context. When performed as part of the Open Access movement building campaign–an ongoing tour across the US, UK, and Canada–BFS establishes an organizational space where participants model trust and mutual support while practicing new, process-based systems of access together.”

Credits

Images from https://www.elsewheremuseum.org.

APA style reference

Papalia, C. (2010). Blind Field Shuttle. walk · listen · create. https://walklistencreate.org/walkingpiece/blind-field-shuttle/
Submitted by: Dani Spadotto

mooching (around)

To loiter or walk aimlessly.

Added by Janette Kerr
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