Related
Tour de fence
Tour de Fence explores overcoming physical barriers, from wire netting to high-security systems, offering practical knowledge for unimpeded movement. It critiques fences as metaphors for private property, inclusion/exclusion, and control, highlighting the shift toward total control over public and private spaces.
UK Border Walk
UK Border Walk (2011) is a performative 77km walk along the Scottish–English border by Rocca Gutteridge and Claudia Zeiske, responding to the UK’s Tier 5 visa. Through walking and public debate, it highlighted how migration policy restricts artistic exchange and mobility.
Related
Tour de fence
Tour de Fence explores overcoming physical barriers, from wire netting to high-security systems, offering practical knowledge for unimpeded movement. It critiques fences as metaphors for private property, inclusion/exclusion, and control, highlighting the shift toward total control over public and private spaces.
UK Border Walk
UK Border Walk (2011) is a performative 77km walk along the Scottish–English border by Rocca Gutteridge and Claudia Zeiske, responding to the UK’s Tier 5 visa. Through walking and public debate, it highlighted how migration policy restricts artistic exchange and mobility.
BorderXing Guide is a provocative art project created by Heath Bunting between 2002 and 2003 that documents his experiences—and those of his collaborators—attempting to cross European borders without official documentation. Hosted on Bunting’s platform, irational.org, the project serves as both a personal archive and a practical guide, detailing alternative routes and strategies for crossing borders without passing through legal checkpoints.
The project features a collection of narrative accounts, maps, photographs, and detailed instructions for others interested in the same act of border-crossing. It includes a grading system to assess the difficulty of various crossings, along with advice on techniques for navigating these unofficial routes. The website’s design, minimalistic and rooted in early web aesthetics, reflects Bunting’s commitment to simplicity, using HTML in an open-source, accessible format.
When first launched, BorderXing Guide was only accessible to select users from specific countries, an ironic reversal that critiqued the disparities in freedom of movement between Western and non-Western countries. This restriction on access highlighted the unequal distribution of mobility, mirroring the project’s broader themes of surveillance and control.
As both a piece of net art and performance art, BorderXing Guide interrogates the intersection of physical and digital borders, engaging with questions of identity, power, and the politics of movement. It challenges the notion of borders as fixed, immutable lines and raises awareness of how these constructs are reinforced by both state power and technological systems. Through this work, Bunting explores the tension between institutional control and individual freedom, making it an essential contribution to both the history of net art and political activism in the digital age.
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Based on Tate’s website.
Credits
The project was commissioned by Tate.

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