Related
The winners of SWS24
This is the second year that the winner and honourable mention for the Sound Walk September Awards walk away with cash. Compared to last year, we were able to double the prize money, to 500 euros for the winner, and 200 euros for the honourable mention. Who walks away with the prizes?
Alison Low Madigan
Born in Cheshire (where my only memory is of squelching through mud in red Wellington boots), I now live in a tiny Victorian artisan’s cottage in London, where I am a printmaker, ceramicist, photographer, community gardener and writer of haikus. My starting point is noticing a twist of shadow or a ripple of water; pressing the veins of a leaf into clay; or chasing a drift of memory. Many of my prints are photopolymer etchings, but I am increasingly experimenting with ink transfer, drypoint, painting and collage – including even some colour.
Visual Path to Prespa / 1st Painting Workshop
Visual Path to Prespa/1st Painting Workshop/University of Western Macedonia presents at the Platforms Project/Contemporary Art Platforms Thursday 9th to Sunday 12th, October 2025 the evolution of the Visual Path through its latest form as a partner of the Creative Europe Program: Walking and Local Communities (WALC and LOCAL COMMUNITIES/WALC) as well as the initiator/ organizer of the International Encounters
Visual March to Prespes: walking with concepts and images
Our interactive, one-day seminar on The Visual March to Prespes: Walking with concepts and images will be held on Friday the 9th of January 2026 from 18:00 to 21:00 in the Contemporary Greek Art Institute (ISET) and streamed online. The Visual March to Prespes is a process that is taking place in the Prespes area
Related
The winners of SWS24
This is the second year that the winner and honourable mention for the Sound Walk September Awards walk away with cash. Compared to last year, we were able to double the prize money, to 500 euros for the winner, and 200 euros for the honourable mention. Who walks away with the prizes?
Alison Low Madigan
Born in Cheshire (where my only memory is of squelching through mud in red Wellington boots), I now live in a tiny Victorian artisan’s cottage in London, where I am a printmaker, ceramicist, photographer, community gardener and writer of haikus. My starting point is noticing a twist of shadow or a ripple of water; pressing the veins of a leaf into clay; or chasing a drift of memory. Many of my prints are photopolymer etchings, but I am increasingly experimenting with ink transfer, drypoint, painting and collage – including even some colour.
Visual Path to Prespa / 1st Painting Workshop
Visual Path to Prespa/1st Painting Workshop/University of Western Macedonia presents at the Platforms Project/Contemporary Art Platforms Thursday 9th to Sunday 12th, October 2025 the evolution of the Visual Path through its latest form as a partner of the Creative Europe Program: Walking and Local Communities (WALC and LOCAL COMMUNITIES/WALC) as well as the initiator/ organizer of the International Encounters
Visual March to Prespes: walking with concepts and images
Our interactive, one-day seminar on The Visual March to Prespes: Walking with concepts and images will be held on Friday the 9th of January 2026 from 18:00 to 21:00 in the Contemporary Greek Art Institute (ISET) and streamed online. The Visual March to Prespes is a process that is taking place in the Prespes area
Of London’s “Magnificent Seven” Cemeteries, Brompton is the rebellious little sister. In the 1970s and 1980s, the Cemetery connected the Leather bars of Earls Court in the North with Chelsea’s counterculture in the South. Brompton’s “outlaw spirit” has been tamed by the recent restoration project, but she remains full of wildness.
This piece uncovers the hidden histories of Londoners who walk, love and dream amid the dead. People flutter from one state of being into another, like the butterflies and the broken angels around them.
The sound design is richly layered with field recordings captured on site, and music by artists who have performed in the Cemetery chapel.
Voices:
Sarah Cheesbrough: wildlife photographer and creator of https://www.londonreviewbookshop.co.uk/stock/wild-neighbours-portraits-of-london-s-magnificent-creatures-sarah-cheesbrough
Shirley Wiggins: diversity coach and campaigner
Sasha de Suinn / Lady Sasha: performer and writer
Duggie Fields: style icon and painter
John Lenihan: gentle Fulham local who worked in the print
Daphne: a squirrel with no ears
Joe Mellon: psychonaut and consciousness explorer
Starting point: Brompton Cemetery, Old Brompton Rd, London, SW5 9JE, UK
Enter through the North Gate (Old Brompton Road) and gradually drift towards the South Gate. Once you have found the North Gate, you can put your mobile device away and enjoy listening and exploring. You choose your own path through the Cemetery.
Please follow the Central Avenue or the many well-marked paths for your safety.
Almost all walking routes through the Cemetery are wheelchair accessible, except for the outermost paths, which have a few steps.
You can also enjoy Brompton Cemetery Sound and Stories from the comfort of home.
Credits
Audio recorded and produced by Laura Khan Mitchison, with co-production and sound design by Steve Urquhart
Photography: Tim Green a.k.a. Flamenco Sun: https://www.flickr.com/photos/greenypics/
Music by: REVBJELDE and Howlround

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