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Walking piece 1971

Connemara Sculpture

Connemara Sculpture
Roundstone, County Galway, Ireland

land art

Collection · 26 items

rocks

Collection · 25 items
Sub-collection

sculpture

Sub-collection · 56 items

Signs

Collection · 3 items

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Untitled at Oliver Ranch adapts to the land's contours, with 30-inch square treads and risers varying in height from 3/8 inch to 17 inches. The design challenges balance, requiring focus on each step while offering a changing view of the landscape.

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Katerina Pistola

land art

Collection · 26 items

rocks

Collection · 25 items
Sub-collection

sculpture

Sub-collection · 56 items

Signs

Collection · 3 items

Related

Curated news

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The sculptor-painter-architect, Tony Smith, born in South Orange, New Jersey in 1912, is one of the best-known unknowns in American art. Most people involved in the art world around New… Source: Talking with Tony Smith

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Robert Smithson
Walking piece

Untitled

Untitled at Oliver Ranch adapts to the land's contours, with 30-inch square treads and risers varying in height from 3/8 inch to 17 inches. The design challenges balance, requiring focus on each step while offering a changing view of the landscape.

Bruce Nauman
post

Walking images into place: WAC encounters and the anima of Prespa

In summer 2025, for one entire week, walking became the defining activity in Prespa, a mountainous transboundary landscape where two ancient freshwater lakes traverse Greece, Albania, and North Macedonia. Through acts of healing, experiencing, resisting and becoming, WAC 25 explored walking as a multifaceted practice as part of the wider, four-year Creative Europe project “Walking

Katerina Pistola
Richard Long’s Connemara Sculpture (1971) was a site-specific arrangement of beach pebbles in Connemara. Made to weather naturally, it eventually disappeared, surviving now only through photographs, writings, and its lingering influence.

In an essay for 3 Quarks Daily, Liam Heneghan explains that Connemara Sculpture was a site-specific land artwork created by British artist Richard Long during a walking journey through the west of Ireland in 1971. Composed of beach pebbles gathered from the rugged coastal terrain near Roundstone in Connemara, the work took the form of a deliberate, geometric arrangement set directly onto the natural ground. Like many of Long’s early sculptures, it was made from materials found on site and left exposed to the elements, intended to exist within – and ultimately be transformed by – the dynamic forces of the landscape.

The pattern of stones recorded Long’s bodily encounter with place: the physical act of walking, gathering, and placing. Long later noted that the sculpture was an intuitive response to an antique rock carving he had seen in a Dublin museum shortly before his visit, giving the piece an echo of ancient marks inscribed upon the land. A photograph of the completed sculpture, taken by the artist, became the primary surviving trace of the work and has been exhibited in major institutions, including the Tate.

Over the decades, wind, rain, tides, grazing animals, and human visitors gradually dispersed the pebbles. By the time writer and cartographer Tim Robinson sought out the work—having marked its location on his meticulous map of Connemara—the form had largely eroded, though still recognizable enough to enter Robinson’s own artistic and geographic record. When revisited nearly fifty years after its creation, the sculpture had vanished entirely, leaving only an unmarked patch of terrain where Long once worked.

Today, Connemara Sculpture endures not as an intact arrangement of stones but as a story, a memory, and a gesture. Its disappearance forms part of its meaning. Long’s practice embraces ephemerality; his sculptures in remote landscapes are allowed to live, shift, and dissolve. In this way, the absent artwork continues its conversation with the land—its “career,” as Robinson noted, extending into the perceptions, writings, and wanderings of those who seek it.

APA style reference

Long, R. (1971). Connemara Sculpture. walk · listen · create. https://walklistencreate.org/walkingpiece/connemara-sculpture/
Submitted by: Dani Spadotto

skirr

To hurry about in search of something, to take a short walk, to hike. “Send out horses, skir the country round.” (Shakespeare, Macbeth.)from the Dictionary of Newfoundland English (University of Toronto Press, 1982).

Added by Marlene Creates
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