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2010

Crawl

Performance documentation
Alexandra Park, Alexandra Palace Way, London, UK

Crawling

Collection · 5 items
Sub-collection

durational practice

Sub-collection · 15 items
Sub-collection

Embodiment or Mind Body Connection

Sub-collection · 28 items

place

Collection · 195 items

Related

Walking piece

Walk 2

Walk 2 (Margate, 2010) had 200 participants walk in silence atop the Marine Bathing Pool wall, maintaining one-metre spacing. Exposed to wind and cold, the walk demanded focus and discipline, fostering a meditative, trance-like awareness of body, rhythm, and environment.

Hamish Fulton
Walking piece

Roman Runner: Limes Germanicus I

In Roman Runner: Limes Germanicus I, Dr. Tim Brennan traced the Dutch edge of the Roman Empire on foot, running 90 miles from the North Sea to the German border in a 19-hour endurance performance that carried him across windswept coasts, historic towns, and river valleys, advancing his long-term art project.

Tim Brennan
Walking piece

One Year Performance 1981-1982

Tehching Hsieh's performance piece (1981–1982) involved staying outdoors for one year without entering any buildings, vehicles, or shelters. The work began on September 26, 1981, at 2 P.M. and lasted until September 26, 1982, using only a sleeping bag.

Tehching Hsieh
Curated news

Long Walks

WHY GO FOR A WALK? Not to get anywhere; the lack of destination makes it a walk rather than a journey. But a walk is never aimless; you set limits… Source: Long Walks

Crawling

Collection · 5 items
Sub-collection

durational practice

Sub-collection · 15 items
Sub-collection

Embodiment or Mind Body Connection

Sub-collection · 28 items

place

Collection · 195 items

Related

Walking piece

Walk 2

Walk 2 (Margate, 2010) had 200 participants walk in silence atop the Marine Bathing Pool wall, maintaining one-metre spacing. Exposed to wind and cold, the walk demanded focus and discipline, fostering a meditative, trance-like awareness of body, rhythm, and environment.

Hamish Fulton
Walking piece

Roman Runner: Limes Germanicus I

In Roman Runner: Limes Germanicus I, Dr. Tim Brennan traced the Dutch edge of the Roman Empire on foot, running 90 miles from the North Sea to the German border in a 19-hour endurance performance that carried him across windswept coasts, historic towns, and river valleys, advancing his long-term art project.

Tim Brennan
Walking piece

One Year Performance 1981-1982

Tehching Hsieh's performance piece (1981–1982) involved staying outdoors for one year without entering any buildings, vehicles, or shelters. The work began on September 26, 1981, at 2 P.M. and lasted until September 26, 1982, using only a sleeping bag.

Tehching Hsieh
Curated news

Long Walks

WHY GO FOR A WALK? Not to get anywhere; the lack of destination makes it a walk rather than a journey. But a walk is never aimless; you set limits… Source: Long Walks

Walking piece
Crawl by Gail Burton is a durational performance at Alexandra Palace Park in which she crawled around the lake on hands and knees, exploring slowness, vulnerability, and bodily awareness while engaging with the park’s environment and public encounters.

Crawl is a durational, site‑specific performance by Gail Burton presented on 29 May 2010 as part of the Look Harder exhibition at Alexandra Palace Park, where Burton crawled slowly on her hands and knees around the full circuit of the park’s lake. Conceived as the antithesis of a march, the work relinquishes upright movement to foreground vulnerability, bodily awkwardness, and an altered sensory experience close to the ground. By moving at a pace and posture that emphasize discomfort, slowness, and physical awareness, the performance explored private interiority, endurance, and marginal states of being while inviting chance encounters and public intervention in an everyday park setting. Throughout the piece, Burton was acutely attentive to the tactile, visual, and sound environment at ground level, collapsing conventional physical perspective and habitual motion into a contemplative, embodied practice of presence.

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Information sourced from the Matchboxrizla blogspot.

APA style reference

Burton, G. (2010). Crawl. walk · listen · create. https://walklistencreate.org/walkingpiece/crawl/
Submitted by: Dani Spadotto

pedestrian acts

By de Certeau: In “Walking in the City”, de Certeau conceives pedestrianism as a practice that is performed in the public space, whose architecture and behavioural habits substantially determine the way we walk. For de Certeau, the spatial order “organises an ensemble of possibilities (e.g. by a place in which one can move) and interdictions (e.g. by a wall that prevents one from going further)” and the walker “actualises some of these possibilities” by performing within its rules and limitations. “In that way,” says de Certeau, “he makes them exist as well as emerge.” Thus, pedestrians, as they walk conforming to the possibilities that are brought about by the spatial order of the city, constantly repeat and re-produce that spatial order, in a way ensuring its continuity. But, a pedestrian could also invent other possibilities. According to de Certeau, “the crossing, drifting away, or improvisation of walking privilege, transform or abandon spatial elements.” Hence, the pedestrians could, to a certain extent, elude the discipline of the spatial order of the city. Instead of repeating and re-producing the possibilities that are allowed, they can deviate, digress, drift away, depart, contravene, disrupt, subvert, or resist them. These acts, as he calls them, are pedestrian acts.

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