Search
My feed
2002

Dakota Commemorative Walk

Untitled
Lower Sioux Agency, Redwood County Hwy, Morton, MN, USA

Sub-collection

Activism or Protest

Sub-collection · 54 items

Education or pedagogy

Collection · 8 items
Sub-collection

Indigenous or Aboriginal

Sub-collection · 35 items

Related

Walking piece

The Journey of Nishiyuu

In 2013, six Cree youth from Whapmagoostui walked 1,600 km to Ottawa as part of the Idle No More movement to support Chief Theresa Spence and Indigenous rights. Joined by others along the way, they were celebrated as symbols of Indigenous resilience and unity.

James Bay Cree
Walking piece

Most Serene Republics

Most Serene Republics (2007) is Edgar Heap of Birds’s Venice Biennale public art project memorializing Sioux warriors and children who died in Europe, using text-based signage to confront colonial histories and Indigenous displacement.

Hock E Aye Vi Edgar Heap of Birds
Walking piece

In Between Camps

In Between Camps” was a two‑day walking artwork tracing the ancient aqueduct route from al‑Arroub to Solomon’s Pools. The project used the act of walking to explore connections between land, history, landscape, and contested space in Palestine.

Saleh Khannah
Walking piece

Vietnamese Women

In Vietnamese Women, Spero repeats an image of a Vietnamese woman fleeing the 1968 civilian massacre, taken from the news. Figures are layered, smudged, and collaged to convey movement, with the cigarette in her mouth symbolizing survival.

Nancy Spero
Sub-collection

Activism or Protest

Sub-collection · 54 items

Education or pedagogy

Collection · 8 items
Sub-collection

Indigenous or Aboriginal

Sub-collection · 35 items

Related

Walking piece

The Journey of Nishiyuu

In 2013, six Cree youth from Whapmagoostui walked 1,600 km to Ottawa as part of the Idle No More movement to support Chief Theresa Spence and Indigenous rights. Joined by others along the way, they were celebrated as symbols of Indigenous resilience and unity.

James Bay Cree
Walking piece

Most Serene Republics

Most Serene Republics (2007) is Edgar Heap of Birds’s Venice Biennale public art project memorializing Sioux warriors and children who died in Europe, using text-based signage to confront colonial histories and Indigenous displacement.

Hock E Aye Vi Edgar Heap of Birds
Walking piece

In Between Camps

In Between Camps” was a two‑day walking artwork tracing the ancient aqueduct route from al‑Arroub to Solomon’s Pools. The project used the act of walking to explore connections between land, history, landscape, and contested space in Palestine.

Saleh Khannah
Walking piece

Vietnamese Women

In Vietnamese Women, Spero repeats an image of a Vietnamese woman fleeing the 1968 civilian massacre, taken from the news. Figures are layered, smudged, and collaged to convey movement, with the cigarette in her mouth symbolizing survival.

Nancy Spero
The Dakota Commemorative Walk honors 1,700 Dakota women, children, and elders forcibly marched to Fort Snelling in 1862. Led by Lower Sioux women, the spiritual walk retraces this route through ceremony, prayer, and collective remembrance.

The Dakota Commemorative Walk remembers and honors the 1,700 Dakota women, children and elders who were forcibly marched 150 miles by U.S. military troops from the site of the present-day town of Morton to Fort Snelling. Following the battles of the 1862 Dakota-U.S. War, 303 Dakota men were arrested and awaited trial. Meanwhile, an indiscriminate sweep of Dakota communities resulted in another approximately 1,700 Dakota people, who had not participated in the fighting and had surrendered at the end of the war, being removed from their homeland.

The destination for the 1,700 was a concentration camp located at Pike Island, part of Fort Snelling. Along the way, the captive women, children and elders were assaulted by angry townspeople and soldiers; an unknown number of them died. That winter, 38 Dakota men were hanged in Mankato. Approximately 300 people died from brutal conditions in the concentration camp.

The 2012 walk started November 7 at the Lower Sioux Agency Historical Site on Highway 2 near Morton. Every mile, the walkers come to a stop and gather to plant a prayer flag, a dogwood stake tied with red cloth and a leather ribbons bearing the names of two Dakota families who made this march 150 years ago. One of the group’s leaders holding a leather bag of tobacco sang a prayer song while participants filed by, taking a pinch to offer along with prayer. Organizers describe the walk as spiritual, sharing values with the Wokiksuye 38+2 Horse Ride, portrayed in the film Dakota 38, a healing journey that begins in South Dakota and arrives in Mankato on December 26, the anniversary of the execution by hanging of 38 Dakota men.

There is no record of the route the captives marched, but it has been reconstructed by piecing together fragments of historical record, personal memory and guesswork. According to Mary Beth Faimon, who worked with others to devise the first walking route in 2002, railroad tracks were most likely followed because they connected towns. “They made a point to bring the prisoners through the towns so they could have a spectacle,” she explained. Today’s route has changed somewhat to ensure safe roads for the walkers. “The point is that it’s all Dakota land – wherever they walk, it’s in the footsteps of their ancestors.” said Faimon.

The lunch stop at the treaty site had particular significance for the walkers. It is the place where the Treaty of Traverse de Sioux was signed in 1851. According to materials at the Treaty Site History Center, the Dakota ceded “24 million acres…nearly forty percent of what we know today as Minnesota” to the U.S. government. Treaty negotiations were fraught with deceit and the Dakota people were pressured to radically change their way of life as European settlers flowed into the region.

(…)

The walk was organized by Cansa yapi Otunwe (Lower Sioux Indian community) women. They walk in front of the procession carrying a Chanunpa (a ceremonial pipe) and direct the planting of the stakes and the ceremonies. Faimon described how, years ago, in planning events for the sesquicentennial of the Dakota-U.S. War, women took on the charge of doing something to remember the 1700 women children and elders, who seemed to have been forgotten. She observed, “They suffered three separate genocidal events: the forced march, the cold winter and then deported on cattle boats to who knows where? These women endured and sacrificed so that these people walking could be here today and start a cultural revival – in language and cultural activity and values.”

Gabrielle Tateyuskanskan, one of the leaders of this walk, said that this history of persecution has thrown up barriers for Dakota people. The walk is a reminder that those events and those times are “not so far away and we are still dealing with a lot of social justice issues that are the legacy of the internments.” She points to high suicide rates for young Dakota and low rates of graduation from high school. She said, “The irony is that we need them [Dakota youth] as social capital.” Despite a lot of loss and hardship, Tateyuskanskan describes the Dakota Commemorative Walk as a way to take possession of Dakota spiritual life, “The only sacred land we have is the one we create.”

(…)

The walk has found support from other faith organizations. Tom Duke from the Saint Paul Interfaith Network was part of the walk on Saturday. His organization has joined in discussion of future actions. They have created Healing Minnesota Stories, a resource for congregations and other communities to “to participate in this healing work, through tours, dialogue events and a speaker’s bureau.”

As the events of the sesquicentennial draw to a close, Tateyuskanskan said there is a big question. Now that so many of the exhibits and events have raised awareness for Minnesotans, “What are you going to do about this history?”

The final day of the walk was November 13. Participants traveled from Bloomington to Fort Snelling State Park where a ceremony to honor the ancestors was held. A closing feast was held at St. Bonaventure Catholic Church in Bloomington.

_
As found on The Circle News’ website.

APA style reference

Community, D. (2002). Dakota Commemorative Walk. walk · listen · create. https://walklistencreate.org/walkingpiece/dakota-commemorative-walk/
Submitted by: Dani Spadotto

pedestrian acts

By de Certeau: In “Walking in the City”, de Certeau conceives pedestrianism as a practice that is performed in the public space, whose architecture and behavioural habits substantially determine the way we walk. For de Certeau, the spatial order “organises an ensemble of possibilities (e.g. by a place in which one can move) and interdictions (e.g. by a wall that prevents one from going further)” and the walker “actualises some of these possibilities” by performing within its rules and limitations. “In that way,” says de Certeau, “he makes them exist as well as emerge.” Thus, pedestrians, as they walk conforming to the possibilities that are brought about by the spatial order of the city, constantly repeat and re-produce that spatial order, in a way ensuring its continuity. But, a pedestrian could also invent other possibilities. According to de Certeau, “the crossing, drifting away, or improvisation of walking privilege, transform or abandon spatial elements.” Hence, the pedestrians could, to a certain extent, elude the discipline of the spatial order of the city. Instead of repeating and re-producing the possibilities that are allowed, they can deviate, digress, drift away, depart, contravene, disrupt, subvert, or resist them. These acts, as he calls them, are pedestrian acts.

Problem?

Encountered a problem? Report it to let us know.

  • Include the page on which you encountered the problem.
  • Describe what happened.
  • Describe what you expected to happen.
Follow us