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Walking piece 1962

Direction

Direction, 1962
New York, NY, USA

Chance

Collection · 19 items

Fluxus

Collection · 12 items

Scores

Collection · 38 items

The Everyday

Collection · 49 items

Related

Walking piece

Stand Erect

Benjamin Patterson’s Stand Erect (1961) exemplifies walking instructions as art, focusing on movement patterns. The participant becomes part of the artwork, while Patterson guides and controls the body, mediating between the actor and their physicality.

Benjamin Patterson
Walking piece

Theatre Music

Theatre Music: Keep Walking Intently (1964) by Takehisa Kosugi, a Fluxus score, transforms the simple act of walking into focused, durational performance, highlighting individual and collective endurance while framing everyday movement as theatrical and meaningful.

Takehisa Kosugi
Walking piece

Walking Piece

Yoko Ono’s Walking Piece (Grapefruit, 1964) turns walking into art: follow another’s footsteps silently across varied terrains, fostering mindfulness, bodily awareness, and making the enactment of the instruction the artwork itself.

Yoko Ono
Walking piece

Intervenções urbanas/Exercício para a cidade I – Silhuetas

A participatory urban action by Paulo Bruscky invited the public to walk specific streets of Recife while reading any paper, shifting attention between page and city. On a sunny day, perception itself becomes the artwork—an exercise in seeing rather

Paulo Bruscky

Chance

Collection · 19 items

Fluxus

Collection · 12 items

Scores

Collection · 38 items

The Everyday

Collection · 49 items

Related

Walking piece

Stand Erect

Benjamin Patterson’s Stand Erect (1961) exemplifies walking instructions as art, focusing on movement patterns. The participant becomes part of the artwork, while Patterson guides and controls the body, mediating between the actor and their physicality.

Benjamin Patterson
Walking piece

Theatre Music

Theatre Music: Keep Walking Intently (1964) by Takehisa Kosugi, a Fluxus score, transforms the simple act of walking into focused, durational performance, highlighting individual and collective endurance while framing everyday movement as theatrical and meaningful.

Takehisa Kosugi
Walking piece

Walking Piece

Yoko Ono’s Walking Piece (Grapefruit, 1964) turns walking into art: follow another’s footsteps silently across varied terrains, fostering mindfulness, bodily awareness, and making the enactment of the instruction the artwork itself.

Yoko Ono
Walking piece

Intervenções urbanas/Exercício para a cidade I – Silhuetas

A participatory urban action by Paulo Bruscky invited the public to walk specific streets of Recife while reading any paper, shifting attention between page and city. On a sunny day, perception itself becomes the artwork—an exercise in seeing rather

Paulo Bruscky
Direction is a minimalist event-score by George Brecht, inviting participants to observe a directional sign, follow it, then choose a different path. This simple act blurs the line between art and life, exploring control, choice, and navigation in daily life.

Direction is one of George Brecht’s early event-scores that exemplifies his commitment to Fluxus and participatory art. Like many of Brecht’s works, Direction invites the participant to engage in a simple, yet profound activity that blurs the lines between art and life.

The event-score for Direction is succinct and minimal, consisting of the following instruction:

Arrange to observe a sign indicating direction of travel. Travel in the indicated direction. Travel in another direction.

The act of interpreting and deciding which direction to take — or whether to follow the given guidance — becomes the art itself. The score suggests a subtle play with control, choice, and the act of navigating through space, all within the context of everyday life.

Credits

Copyright © 2025 Artists Rights Society (ARS), New York / VG Bild-Kunst, Germany

APA style reference

Brecht, G. (1962). Direction. walk · listen · create. https://walklistencreate.org/walkingpiece/direction/
Submitted by: Dani Spadotto

oversupinate

People who jog, run, and sprint have their share of problems that slow-moving people can barely comprehend. One is oversupination. As the OED defines it, to oversupinate is “To run or walk so that the weight falls upon the outer sides of the feet to a greater extent than is necessary, desirable, etc.” A 1990 Runner’s World article gets to the crux of the problem: “It’s hard to ascertain exactly what percentage of the running population oversupinates, but it’s a fraction of the people who think they do.” Credits to Mark Peters.

Added by Geert Vermeire
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