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2011

Effugio c, you’re always only half a day away

Film stills
Hassi, Finland

Circles

Collection · 12 items
Sub-collection

durational practice

Sub-collection · 16 items

Emotion

Collection · 8 items
Sub-collection

Video or Film

Sub-collection · 15 items

Related

Walking piece

100 Circles

Walks and conversations round Lenzie Moss

David Overend
Curated news

How you walk reveals to others how you are feeling, researchers say | Science | The Guardian

Study highlights the movements in people’s gait that give away most about their emotional state Source: How you walk reveals to others how you are feeling, researchers say | Science | The Guardian

Curated news

Long Walks

WHY GO FOR A WALK? Not to get anywhere; the lack of destination makes it a walk rather than a journey. But a walk is never aimless; you set limits… Source: Long Walks

book

Walking Detroit

This book brings together documentation of walking art projects by artist JeeYeun Lee made in and about Detroit from 2017 to 2018. It includes writing and images from a series of durational walking performances, a video reflection, an audio walk, and a series of altered photographic works.

JeeYeun Lee

Circles

Collection · 12 items
Sub-collection

durational practice

Sub-collection · 16 items

Emotion

Collection · 8 items
Sub-collection

Video or Film

Sub-collection · 15 items

Related

Walking piece

100 Circles

Walks and conversations round Lenzie Moss

David Overend
Curated news

How you walk reveals to others how you are feeling, researchers say | Science | The Guardian

Study highlights the movements in people’s gait that give away most about their emotional state Source: How you walk reveals to others how you are feeling, researchers say | Science | The Guardian

Curated news

Long Walks

WHY GO FOR A WALK? Not to get anywhere; the lack of destination makes it a walk rather than a journey. But a walk is never aimless; you set limits… Source: Long Walks

book

Walking Detroit

This book brings together documentation of walking art projects by artist JeeYeun Lee made in and about Detroit from 2017 to 2018. It includes writing and images from a series of durational walking performances, a video reflection, an audio walk, and a series of altered photographic works.

JeeYeun Lee
Walking piece
The artist circles his Finnish home for 12 hours, running 65 miles. The repetitive loop is filmed in HD and exhibited as a 12-hour performance, turning endurance into futility and contrasting modern travel’s reach within half a day.

The artist ran around his house in Finland for 12 hours (65 miles).

From the Wanderlust catalog: “The artist notes in a statement about the work that, ‘Nowadays you can theoretically fly to almost everywhere in the world within twelve hours of less.’ Instead, he spends half a day going nowhere, his running is a futile act.”

_

Running in circles: 1. Lit. to run in a circular path. The horses ran in circles around the corral for their daily exercise. The children ran in circles around the tree. 2. and run around in circles. Fig. to waste one’s time in aimless activity.

Guido van der Werve: a Dutch artist who started long distance running in 2007. Soon after, he got addicted to running. Guido van der Werve ran his first marathon in Helsinki in 2009, and has been running two or three marathon a years ever since. Currently his personal best was achieved at the Berlin Marathon in September 2013, which he ran in 2.57.06.In 2010, Guido van der Werve ran his first ultra marathon running from P.S.1 in Long Island City, New York, to Rachmaninoff’s grave in Valhalla, New York. On the 8th of June 2011, he ran approximately two and a half marathons around his house in Finland in exactly twelve hours. In the summer of 2011 he finished his first triathlon.

Emotional poverty: suggests a depletion of emotional resources, an absence of emotional health and well-being, a state of lack rather than abundance. Emotional poverty is a state in which a person finds him/herself when he/she lacks the ability to deal with specific emotional circumstances or life in general, without totally breaking down into severe depression. Everyone struggles to deal with difficulties in life, but some simply cannot emotionally cope with difficult circumstances. They turn to escapes, or they may just shut down altogether. When a person finds him/herself in a difficult time, but is not able to process the difficulties and live life, he/she may very well be dealing with emotional poverty. It is defined by a limited range or depth of feelings; interpersonal coldness in spite of signs of open gregariousness.

Half a day: equals twelve hours. The 12-hour clock can be traced back as far as the cultures of Mesopotamia and Ancient Egypt: both an Egyptian sundial for daytime use and an Egyptian water clock for night time use were found in the tomb of Pharaoh Amenhotep I. Dating back to approx. 1500 BC, these clocks divided their respective times of use into 12 hours each. Nowadays you can theoretically fly to almost everywhere in the world within 12 hours or less.

A day is a unit of time, commonly defined as an interval of 24 hours. It can also be used to describe that portion of the full day during which a location is illuminated by the light of the sun. The period of time measured from local noon to the following local noon is called a solar day.

Credits

Public collections:
– De Hallen, Haarlem
– Stedelijk Museum, Amsterdam

APA style reference

Werve, G. (2011). Effugio c, you’re always only half a day away. walk · listen · create. https://walklistencreate.org/walkingpiece/effugio-c-youre-always-only-half-a-day-away/
Submitted by: Dani Spadotto

pedestrian acts

By de Certeau: In “Walking in the City”, de Certeau conceives pedestrianism as a practice that is performed in the public space, whose architecture and behavioural habits substantially determine the way we walk. For de Certeau, the spatial order “organises an ensemble of possibilities (e.g. by a place in which one can move) and interdictions (e.g. by a wall that prevents one from going further)” and the walker “actualises some of these possibilities” by performing within its rules and limitations. “In that way,” says de Certeau, “he makes them exist as well as emerge.” Thus, pedestrians, as they walk conforming to the possibilities that are brought about by the spatial order of the city, constantly repeat and re-produce that spatial order, in a way ensuring its continuity. But, a pedestrian could also invent other possibilities. According to de Certeau, “the crossing, drifting away, or improvisation of walking privilege, transform or abandon spatial elements.” Hence, the pedestrians could, to a certain extent, elude the discipline of the spatial order of the city. Instead of repeating and re-producing the possibilities that are allowed, they can deviate, digress, drift away, depart, contravene, disrupt, subvert, or resist them. These acts, as he calls them, are pedestrian acts.

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