Related
Still Visible After Gezi
In Still Visible After Gezi, Roberley Bell documents 16 Istanbul trees photographed in 2010 and revisited in 2015. The installation traces memory, survival, and urban change, using frames to show each tree’s past, present, and absence after the city’s transformations.
Everybody out and about – creative ways to make that happen
Too easy to make the assumption that everyone can walk – surely it is the most human thing we humans can do? However, not everyone has the privilege of the sensorial able-bodied. Often overlooked in event planning or in creative compositions, yet frequently made to feel as if in the spotlight, an unintended public performer,
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Related
Still Visible After Gezi
In Still Visible After Gezi, Roberley Bell documents 16 Istanbul trees photographed in 2010 and revisited in 2015. The installation traces memory, survival, and urban change, using frames to show each tree’s past, present, and absence after the city’s transformations.
Everybody out and about – creative ways to make that happen
Too easy to make the assumption that everyone can walk – surely it is the most human thing we humans can do? However, not everyone has the privilege of the sensorial able-bodied. Often overlooked in event planning or in creative compositions, yet frequently made to feel as if in the spotlight, an unintended public performer,
• • +2 Evening Walk is a series of postcards, using my lockdown walks as reference and taking in aspects of landscape painting, photography, and map making.
Made and found postcards, tracing paper, ink.
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