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WALC – a new future of walking arts
Walking Arts & Local Communities (WALC) is an artistic cooperation project, co-funded by the European Union, establishing an International Center for Artistic Research and Practice of Walking Arts, backed up by an online counterpart in the format of a digital platform for walking arts. The project leans strongly on involving local inhabitants, and on engaging with local activists.
Wanderlust Europe
Europe offers an astonishing variety of scenic landscapes and some of the most enchanting trails to explore them. Wanderlust Europe takes you from the Scottish Highlands to endless amber beaches of the Baltic Sea, from the Scandinavian tundra, the majestic peaks of the Alps, the pristine peaks of the Balkans, to the rugged coastal mountains of the
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WALC – a new future of walking arts
Walking Arts & Local Communities (WALC) is an artistic cooperation project, co-funded by the European Union, establishing an International Center for Artistic Research and Practice of Walking Arts, backed up by an online counterpart in the format of a digital platform for walking arts. The project leans strongly on involving local inhabitants, and on engaging with local activists.
Wanderlust Europe
Europe offers an astonishing variety of scenic landscapes and some of the most enchanting trails to explore them. Wanderlust Europe takes you from the Scottish Highlands to endless amber beaches of the Baltic Sea, from the Scandinavian tundra, the majestic peaks of the Alps, the pristine peaks of the Balkans, to the rugged coastal mountains of the
Ex-Tracés is a walking performance covering 5,232 km from Paris to Mardin, a city located on the Turkish-Syrian border. Between March 15 and August 26, 2022, I retraced—step by step and in reverse—the Balkan route taken by refugees on their journey towards Europe, completing the performance over 160 stages.
During this journey, I wrote 160 passages from the Geneva Convention relating to the Status of Refugees in Braille, distributing them across 11 countries: France, Germany, Austria, Italy, Slovenia, Croatia, Bosnia, Montenegro, Albania, Greece, and Turkey. At each stage, I created ephemeral inscriptions of selected extracts of the Convention, adapting to the specific sites and locally available materials.
To write in Braille a convention intended to be “carved in stone” is to emphasize its fragility, as well as the vulnerability of refugees themselves. The choice of means and materials makes the text visible rather than readable: in most cases, touching it means destroying it.
Credits
Ridha DHIB

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