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Aurora dos Campos
Aurora dos Campos is a set designer, artist and researcher. She holds a PhD in Fine Arts from the Faculty of Fine Arts of the University of Porto [FBAUP], having received a grant from the Foundation for Science and Technology [FCT] for her research entitled “Fictionalising Matter ∩ Materialising Fiction: The Artistic Practice of a Set Designer”. She is a research fellow at the Institute for Research in Art, Design and Society [I2ADS]. She holds a Master’s degree in Art and Design for Public Space from the Faculty of Fine Arts of the University of Porto, with the dissertation “Dramaturgies of the Everyday: Speculations on the Fictional Dimension of the Real” [FBAUP | 2019] and holds a Bachelor’s degree in Performing Arts with a specialisation in set design from the Federal University of the State of Rio de Janeiro [UNIRIO | 2006].
Submissions – Performativity(ies) of Memory(ies) Interdisciplinary Conference 2026
Abstract submission deadline 15 July 2026 Recommended topics: Shared memory of experiences and knowledge Participatory research and practice as testimony of (the) memory Community-generated memory … Source: Submissions – Performativity(ies) of Memory(ies) Interdisciplinary Conference 2026
• Related
Aurora dos Campos
Aurora dos Campos is a set designer, artist and researcher. She holds a PhD in Fine Arts from the Faculty of Fine Arts of the University of Porto [FBAUP], having received a grant from the Foundation for Science and Technology [FCT] for her research entitled “Fictionalising Matter ∩ Materialising Fiction: The Artistic Practice of a Set Designer”. She is a research fellow at the Institute for Research in Art, Design and Society [I2ADS]. She holds a Master’s degree in Art and Design for Public Space from the Faculty of Fine Arts of the University of Porto, with the dissertation “Dramaturgies of the Everyday: Speculations on the Fictional Dimension of the Real” [FBAUP | 2019] and holds a Bachelor’s degree in Performing Arts with a specialisation in set design from the Federal University of the State of Rio de Janeiro [UNIRIO | 2006].
Submissions – Performativity(ies) of Memory(ies) Interdisciplinary Conference 2026
Abstract submission deadline 15 July 2026 Recommended topics: Shared memory of experiences and knowledge Participatory research and practice as testimony of (the) memory Community-generated memory … Source: Submissions – Performativity(ies) of Memory(ies) Interdisciplinary Conference 2026
• You are walking along a beach. Suddenly you hear a gloomy marching band play, right behind you. When you stop, they stop. As soon as you continue to walk, there they are again. Eagerly following you. Clingy. They will keep you company and play four new music compositions, one for each season.
Fanfare premiered at the Into The Great Wide Open festival, Vlieland (NL), in September 2022. This sound walk can be done anywhere on this planet, along any beach. It can take as long or as short as you like. You could go on in an endless loop! The music is also available as an album on Bandcamp.
Note: despite our best efforts to make this walk work properly on all mobile phones, it may not work on every device. Before taking a long trip to the beach, you can test the walk in your living room first and see if you get sound when you walk or shake your phone.
Credits
Concept, music: Evelien van den Broek
Musicians: members of Neo-Fanfare 9×13: Arthur Kerklaan (trumpet), Wim van den Haak, (alto horn), Anton van Houten (trombone), Arne Visser (helicon), Jeroen Geevers (drums)
Conductor: Hardy Li
Audio recordings: Evelien van den Broek, Marcel de Rooij (Studio De Slapende Hond)
Mix, mastering: Evelien van den Broek
Web app programmer: Roald van Dillewijn
Website, production, PR: Evelien van den Broek
Illustration: JeRoen Murré
Thanks to: Marcel de Rooij (Studio De Slapende Hond), Dyane Donck, Edo Paulus, and all Fanfare web app guinea pigs.
Fanfare is supported by the Performing Arts Fund NL
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