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1999

Feliz Aniversário (Happy Birthday)

Mapping
Rio de Janeiro, State of Rio de Janeiro, Brazil

Sub-collection

durational practice

Sub-collection · 16 items

Photography

5 sub-collections · 156 items
Sub-collection

urban

Sub-collection · 112 items

Related

book

Walking Detroit

This book brings together documentation of walking art projects by artist JeeYeun Lee made in and about Detroit from 2017 to 2018. It includes writing and images from a series of durational walking performances, a video reflection, an audio walk, and a series of altered photographic works.

JeeYeun Lee
Walking piece

To Walk

To Walk is a poster project by Richard Wentworth featuring his characteristically anonymous photographs of places in England, distributed in towns such as Charleston, Ramsgate, and Rochester as an invitation for the public to walk and re-engage with their urban and rural surroundings.

Richard Wentworth
Walking piece

Trajets pendant un an d’une jeune fille du XVIe arrondissement

Trajects pendant un an d’une jeune fille du XVIe arrondissement maps one year of movements of a young woman studying political science, revealing a narrow triangular routine connecting her home, university, and piano teacher’s residence.

Paul-Henry Chombart de Lauwe
Walking piece

Circular Walk inside Arctic Circle, Around Inuvik, N.W.T.

N.E. Thing Co.’s Arctic walk in Inuvik documented steps, distance, and circular movement, while the Baxters transformed maps with instructions and drawings, turning abstract space into lived, dynamic landscapes that challenged rationalized grids and static representations.

N.E. Thing Co. (NETCO)
Sub-collection

durational practice

Sub-collection · 16 items

Photography

5 sub-collections · 156 items
Sub-collection

urban

Sub-collection · 112 items

Related

book

Walking Detroit

This book brings together documentation of walking art projects by artist JeeYeun Lee made in and about Detroit from 2017 to 2018. It includes writing and images from a series of durational walking performances, a video reflection, an audio walk, and a series of altered photographic works.

JeeYeun Lee
Walking piece

To Walk

To Walk is a poster project by Richard Wentworth featuring his characteristically anonymous photographs of places in England, distributed in towns such as Charleston, Ramsgate, and Rochester as an invitation for the public to walk and re-engage with their urban and rural surroundings.

Richard Wentworth
Walking piece

Trajets pendant un an d’une jeune fille du XVIe arrondissement

Trajects pendant un an d’une jeune fille du XVIe arrondissement maps one year of movements of a young woman studying political science, revealing a narrow triangular routine connecting her home, university, and piano teacher’s residence.

Paul-Henry Chombart de Lauwe
Walking piece

Circular Walk inside Arctic Circle, Around Inuvik, N.W.T.

N.E. Thing Co.’s Arctic walk in Inuvik documented steps, distance, and circular movement, while the Baxters transformed maps with instructions and drawings, turning abstract space into lived, dynamic landscapes that challenged rationalized grids and static representations.

N.E. Thing Co. (NETCO)
Walking piece
Feliz Aniversário is a performance in which the artist visited every Rio street named after a calendar date on its corresponding day, mapping the journeys and photographing each visit to create a yearlong record of time and urban space.

Rio de Janeiro is a city that, like many others around the world, has streets, squares, and avenues named after commemorative dates. Some mark events of national importance, while others seem to result from simple arbitrariness. The city and its surrounding municipalities have approximately 150 public roads with this characteristic, some of them repeated up to seven times, such as 15th of November Street, for example.

Throughout 1999, a performance was carried out that made use of this urban peculiarity. From January 1 to December 31, 1999, all the streets in the city bearing calendar dates as proper names were visited on their corresponding day of the year. In other words, these locations were visited chronologically over the course of a year, on their anniversary dates, even when repeated in different parts of the city.

All routes were marked in a street guide, and their signs were photographed together with the artist, who held that day’s newspaper in his hands to attest to the action’s authenticity – an attitude similar to that used by criminals as proof of life for kidnapping victims.

At the end of a year of work, a large drawing emerged from the sum of these journeys across the city’s geography, along with a collection of photographs illustrating the expeditions – records in time and space of a year-long effort.

APA style reference

Cadu (1999). Feliz Aniversário (Happy Birthday). walk · listen · create. https://walklistencreate.org/walkingpiece/feliz-aniversario-happy-birthday/
Submitted by: Dani Spadotto

pedestrian acts

By de Certeau: In “Walking in the City”, de Certeau conceives pedestrianism as a practice that is performed in the public space, whose architecture and behavioural habits substantially determine the way we walk. For de Certeau, the spatial order “organises an ensemble of possibilities (e.g. by a place in which one can move) and interdictions (e.g. by a wall that prevents one from going further)” and the walker “actualises some of these possibilities” by performing within its rules and limitations. “In that way,” says de Certeau, “he makes them exist as well as emerge.” Thus, pedestrians, as they walk conforming to the possibilities that are brought about by the spatial order of the city, constantly repeat and re-produce that spatial order, in a way ensuring its continuity. But, a pedestrian could also invent other possibilities. According to de Certeau, “the crossing, drifting away, or improvisation of walking privilege, transform or abandon spatial elements.” Hence, the pedestrians could, to a certain extent, elude the discipline of the spatial order of the city. Instead of repeating and re-producing the possibilities that are allowed, they can deviate, digress, drift away, depart, contravene, disrupt, subvert, or resist them. These acts, as he calls them, are pedestrian acts.

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