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(Soundscapers’ forum) – Forum des Paysagistes Sonores
** Warning the event is in France and thus french speaking ** The soundscapers’ forum is the first edition hold by PePaSon groupe with the aim to gather various personalities who hold transdiscipliniary projects based on soundscapes. From art to science, through pedagogy and contemplation, people will share about their ideas and dreams for a
PAS – Sensitive Audio Course by a duo of headphones and ringing places
The duo Gilles and Benoit create immersive sound experiences by guiding participants through varied geographies using attentive listening and sonic exploration. Gilles acts as a "listening stroller," revealing local soundscapes, while Benoit engages with materials and sound objects to highlight the acoustic character of each place.
Mosses and Marshes Art Trail
The Fenn's, Whixall and Bettisfield Mosses Sound and Sculpture Art Trail, launching 3rd July 2021 through October, offers a 3-mile immersive walk combining soundscapes from UK and Australian wetlands with sculptures exploring measurement and landscape themes. The trail features headphones-triggered audio via the Echoes app, integrates wildlife recordings and poetry, and is part of the Mosses and Marshes art project led by Andrew Howe and Kim V. Goldsmith.
Related
(Soundscapers’ forum) – Forum des Paysagistes Sonores
** Warning the event is in France and thus french speaking ** The soundscapers’ forum is the first edition hold by PePaSon groupe with the aim to gather various personalities who hold transdiscipliniary projects based on soundscapes. From art to science, through pedagogy and contemplation, people will share about their ideas and dreams for a
PAS – Sensitive Audio Course by a duo of headphones and ringing places
The duo Gilles and Benoit create immersive sound experiences by guiding participants through varied geographies using attentive listening and sonic exploration. Gilles acts as a "listening stroller," revealing local soundscapes, while Benoit engages with materials and sound objects to highlight the acoustic character of each place.
Mosses and Marshes Art Trail
The Fenn's, Whixall and Bettisfield Mosses Sound and Sculpture Art Trail, launching 3rd July 2021 through October, offers a 3-mile immersive walk combining soundscapes from UK and Australian wetlands with sculptures exploring measurement and landscape themes. The trail features headphones-triggered audio via the Echoes app, integrates wildlife recordings and poetry, and is part of the Mosses and Marshes art project led by Andrew Howe and Kim V. Goldsmith.
Sound walk in Flushing Meadows Park, in the frame of STEP Saunter, Trek, Escort, Parade – exhibition in Queens Museum
“Does the dragonfly leave its skin? And its face can only see the face of the sun?” (Poem of Gilgamesh)
The flight as a higher definition of the self, a replacement of the illusions´ system of the being, is a continuous flow of human dreaming. The vision on flyways, in an artistic interpretation, intends to polarize esthetical and scientifically meanings about the patterns created by dragonflies between water, earth and sky. Music becomes a cymatic experience which configures the patterns of the flight, as a cosmic antenna of the buzzing and wheezing sound in the air and the water ripple of the touch of soft wings. The soundscapes intends to refine the vibration in a visual experience of the flypatterns, ‘committed’ in a performatic dimension with a walking audience. Thus, resonance makes visible the paths of the human flight in an emotional field. And this subtle dynamic is captured in different patterns of the frequencies flying emerged in drawings of the ‘visual waves’.
Texts / literary research by Simona Vermeire
Art works / soundscapes by Stefaan Van Biesen in the frame of the art project Flyways
Soundwalkdesign – Flyways walk curated by Geert Vermeire
Voice by moira williams
STEP Saunter, Trek, Escort, Parade – exhibition in Flux Factory / Queens Museum
Queens Museum October 28 – December 2, 2018
Flyways locative media walks, designed, spatially composed and curated by Geert Vermeire in Santorini Arts Factory (2016), Analogio Festival Athens (2017) and Queens Museum NY (2018)

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