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SWS24 2023

Glas-na-Bradan Soundwalk: Listening for the Future

Glas-na-Bradan Wood Soundwalk
Glas Na Bradan Wood, Hightown Road, Newtownabbey, UK
80 minutes
This is a live event and so can no longer be accessed. It included live narration by Robert Coleman and performances from Hive Choir
Sound walk
No longer available

The Glas-na-Bradan Wood Soundwalk: Listening for the Future, by Robert Coleman and featuring a live performance by HIVE Choir

In 2021 planting began at the Glas-na-Bradan Wood in the Belfast Hills. Since then composer and sound artist Robert Coleman has been following and documenting the growth of this new native forest. Through his research, field-recordings and interviews with the tree-planters, this soundwalk explores the site in its present day, its history and its potential in the future.

Participants in the soundwalk will be guided along a route through the Glas-na-Bradan Wood. They will be introduced to the biodiversity there through listening to field-recordings which Robert recorded on-site over the last year through a variety of methods. Robert has also collected data which will allow participants to listen to the projected future soundscape of the forest in years to come. This will facilitate a new mode of understanding the scale of changes taking place in our local environment and habitats, and in doing so provide an insight into the biodiversity on the island of Ireland.

HIVE Choir will further explore these themes with a live on-site performance intertwined into the narrative of the walk.

All this will be brought into the context of the local community at Glas-na-Bradan through recorded interviews with the tree-planters. Over the past two planting seasons they have shared their stories, connections to Glas-na-Bradan and hopes for the future of the site, while contributing to the future of this forest.

Credits

Created by composer and sound artist Robert Coleman and featuring HIVE Choir directed by John D'Arcy

APA style reference

Coleman, R. (2023). Glas-na-Bradan Soundwalk: Listening for the Future. walk · listen · create. https://walklistencreate.org/walkingpiece/glas-na-bradan-soundwalk-listening-for-the-future/

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pedestrian acts

By de Certeau: In “Walking in the City”, de Certeau conceives pedestrianism as a practice that is performed in the public space, whose architecture and behavioural habits substantially determine the way we walk. For de Certeau, the spatial order “organises an ensemble of possibilities (e.g. by a place in which one can move) and interdictions (e.g. by a wall that prevents one from going further)” and the walker “actualises some of these possibilities” by performing within its rules and limitations. “In that way,” says de Certeau, “he makes them exist as well as emerge.” Thus, pedestrians, as they walk conforming to the possibilities that are brought about by the spatial order of the city, constantly repeat and re-produce that spatial order, in a way ensuring its continuity. But, a pedestrian could also invent other possibilities. According to de Certeau, “the crossing, drifting away, or improvisation of walking privilege, transform or abandon spatial elements.” Hence, the pedestrians could, to a certain extent, elude the discipline of the spatial order of the city. Instead of repeating and re-producing the possibilities that are allowed, they can deviate, digress, drift away, depart, contravene, disrupt, subvert, or resist them. These acts, as he calls them, are pedestrian acts.

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