Related
Land Mark (Foot Prints)
Land Mark (Foot Prints) documents activist collaborations in Vieques, where altered shoe soles stamped protest slogans onto former military land. The photographs capture fragile, temporary marks of dissent that question land use, power, and reclamation through everyday actions.
Body Techniques (after A Line in Ireland, Richard Long, 1974)
Body Techniques is a series of 8 photographs by Carey Young exploring the body in globalized corporate spaces. Set in Dubai and Sharjah, she reworks conceptual art actions, highlighting tension between individual agency and overwhelming, hyperreal corporate landscapes.
Rediscovering Britain with Quintin Lake
Join Quintin Lake for an illustrated discussion of his solo pilgrimage around the coast of Britain. We are delighted to welcome Quintin Lake here to Hatchards this evening for an illustrated talk on his experience of walking and photographing Britain for his book The Perimeter. On Friday 17 April 2015, photographer Quintin Lake set off
Related
Land Mark (Foot Prints)
Land Mark (Foot Prints) documents activist collaborations in Vieques, where altered shoe soles stamped protest slogans onto former military land. The photographs capture fragile, temporary marks of dissent that question land use, power, and reclamation through everyday actions.
Body Techniques (after A Line in Ireland, Richard Long, 1974)
Body Techniques is a series of 8 photographs by Carey Young exploring the body in globalized corporate spaces. Set in Dubai and Sharjah, she reworks conceptual art actions, highlighting tension between individual agency and overwhelming, hyperreal corporate landscapes.
Rediscovering Britain with Quintin Lake
Join Quintin Lake for an illustrated discussion of his solo pilgrimage around the coast of Britain. We are delighted to welcome Quintin Lake here to Hatchards this evening for an illustrated talk on his experience of walking and photographing Britain for his book The Perimeter. On Friday 17 April 2015, photographer Quintin Lake set off
Ground Mutations – Shoe Prints (1969) is a conceptual Land Art work by American artist Dennis Oppenheim that captures the artist’s extended interaction with industrial landscapes and human movement.
In preparation for the work, Oppenheim wore modified shoes with quarter‑inch diagonal grooves cut into the soles and heels for three winter months as he moved between Kearney, New Jersey and New York City. As he walked through snowy, swampy, and industrial terrain, the grooved soles left distinctive imprints in the ground—marks that visually connected the countless individual steps of many people into new, larger patterns. These impressions were photographed and presented as part of the final work, emphasizing the interplay between human action, landscape, and trace as artistic media. The inclusion of text alongside black‑and‑white and color photographs transforms the traces of footprints into an artwork that documents movement as both process and image, reflecting Oppenheim’s interest in how ordinary bodily actions inscribe meaning onto the earth.
“Shoes with 1/4” diagonal grooves down the soles and heels were worn for three winter months. I was connecting the patterns of thousands of individuals… my thoughts were filled with marching diagrams.” – Dennis Oppenheim.

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