Related
Aus der Mappe der Hundigkeit (From the Portfolio of Doggedness)
VALIE EXPORT led Peter Weibel on a leash in Vienna (1968), reversing gender roles and “animalizing” man. Photographed in black and white, the action critiques social order, gender norms, and public behavior through onlookers’ reactions.
Sight Unseen: An Un-camouflaging for Guildwood
Collaborative project where youth created ghillie suits to explore visibility, belonging, and connections to nature, culminating in a site-specific “un-camouflaging” performance in Guildwood Park with support from the Ontario Arts Council.
Related
Aus der Mappe der Hundigkeit (From the Portfolio of Doggedness)
VALIE EXPORT led Peter Weibel on a leash in Vienna (1968), reversing gender roles and “animalizing” man. Photographed in black and white, the action critiques social order, gender norms, and public behavior through onlookers’ reactions.
Sight Unseen: An Un-camouflaging for Guildwood
Collaborative project where youth created ghillie suits to explore visibility, belonging, and connections to nature, culminating in a site-specific “un-camouflaging” performance in Guildwood Park with support from the Ontario Arts Council.
Head Sculpture took place in Tel Aviv the morning after the Israel Independence Day military parade and consisted of a T-shaped sculpture that sat over the walker’s head, creating a very specific and narrowed point of view to the front and two sides. This limited the sight of the walker and also drew a great deal of attention to Natan due to the scale of the sculpture, which would have stood out as irregular on the busy urban corner of Frishman and Dizengoff streets. The reduction of vision poses conceptual questions about belonging and nonconforming, which further resonated with the timing of the piece after the military parade.
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MUELLER, Ellen. Walking as artistic practice. Albany: State University of New York Press, 2023.
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