Related
One Mile Parkour Film
On September 13th, Jennifer West’s One Mile Parkour Film transformed the High Line into a dynamic art space, with a one-mile filmstrip laid along the park. Visitors interacted with the film, which featured West’s footage of Parkour performers. The day included performances by elementary school children and Parkour athletes. The altered film was digitized and shown on October 17th at the High Line.
Drawing Walks and Intervals
Joe Richardson explores how walking and drawing activate shifts between roles and selves in Drawing Walks and Intervals as Activation Devices.His work is shortlisted for the Marŝarto Awards 2025. Below, Joe reflects on the work. Moving between roles Many contemporary artists will relate to feeling that they are constantly required to move between different roles and identities, switching headspaces,
Related
One Mile Parkour Film
On September 13th, Jennifer West’s One Mile Parkour Film transformed the High Line into a dynamic art space, with a one-mile filmstrip laid along the park. Visitors interacted with the film, which featured West’s footage of Parkour performers. The day included performances by elementary school children and Parkour athletes. The altered film was digitized and shown on October 17th at the High Line.
Drawing Walks and Intervals
Joe Richardson explores how walking and drawing activate shifts between roles and selves in Drawing Walks and Intervals as Activation Devices.His work is shortlisted for the Marŝarto Awards 2025. Below, Joe reflects on the work. Moving between roles Many contemporary artists will relate to feeling that they are constantly required to move between different roles and identities, switching headspaces,
High Desert Winds is a map of the Leh area of Ladakh, inkjet printed over a pattern derived from a diagram of a cross-section of the human heart, in rust on paper. The juxtaposition of a map of a desert area (Ladakh) with an anatomical pattern (heart apex cross-section) embodies a bridging of microcosm (the human body) and macrocosm (the landscape, regional geography).
The title and imagery of “winds” evoke atmospheric and climatic forces in high-altitude terrain (Ladakh), metaphorically linking them to circulatory flows within the body. The heart pattern is not decorative; it functions as a visual metaphor for movement, circulation, and interconnected systems.
As Ellen Mueller notes, in Drury’s mapping works, he frequently combines topography, walks, and geological or meteorological phenomena with anatomical or bodily systems. These works are conceptual rather than purely geographical—the landscape becomes the body, and the body becomes the landscape.
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