Related
Please, walk on here (Kono-ue wo Aruite Kudasai)
In 1955, Shimamoto’s Please Walk on Here used stable and unstable boards to make participants physically experience risk and instability. Recreated for the 1993 Venice Biennale, it highlighted bodily engagement and precarious perception.
Walking Sculpture with Michelangelo Pistoletto
On a visit by Michelangelo Pistoletto to Philadelphia, to celebrate the opening of two major exhibitions devoted to his work, the artist recreated his Scultura Da Passeggio (Walking Sculpture), a seminal 'action' first performed in 1967 on the streets of Turin, Italy.
Related
Please, walk on here (Kono-ue wo Aruite Kudasai)
In 1955, Shimamoto’s Please Walk on Here used stable and unstable boards to make participants physically experience risk and instability. Recreated for the 1993 Venice Biennale, it highlighted bodily engagement and precarious perception.
Walking Sculpture with Michelangelo Pistoletto
On a visit by Michelangelo Pistoletto to Philadelphia, to celebrate the opening of two major exhibitions devoted to his work, the artist recreated his Scultura Da Passeggio (Walking Sculpture), a seminal 'action' first performed in 1967 on the streets of Turin, Italy.
Hill Walker is a video projection on a hill of plaster that shows a lone figure repeatedly attempting to scale a mountain. There is a tragedy and humour to the endeavour; we will him on, whilst his efforts are never quite rewarded.
Hill Walker is perhaps uncharacteristic of her work in that it offers both an overt comedy and bathos. We encounter a lone, heroic figure, seen at a miniature scale. Footage of a walker, climber, or mountaineer, struggling up a snow-covered hillside is projected onto a mound of plaster, which has been formed into a cone shape and looks like the basic form of a mountain. The plaster shape is not unrealistic enough to be cartoon-like, nor is it realistic enough to be any mountain in particular – It merely evokes the idea of a ‘mountain’ with the minimum means required. The hill walker’s progress from bottom to top takes only a minute, after which, the action is repeated again and again, rendering the endless task ludicrous and futile.
The piece was shown in the exhibition Walk On: From Richard Long to Janet Cardiff – 40 Years of Art Walking in 2013–2014.
Credits
WALK ON: FROM RICHARD LONG TO JANET CARDIFF – 40 YEARS OF ART WALKING. Exhibition catalogue. Plymouth: Plymouth City Museum & Art Gallery, 2013–2014.

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