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Walking piece 2002

Infrastructure

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Landscape

Collection · 369 items

modernism

3 sub-collections · 12 items
Sub-collection

Video or Film

Sub-collection · 15 items

Related

Walking piece

Museo Barda del Desierto

Barda del Desierto Museum (mBDD) is an open-air contemporary art museum in Northern Patagonia. Visitors walk through the steppe landscape, accessing site-specific digital works via QR codes, linking art, architecture, territory, and technology.

Museo Barda del Desierto
url

Walking through landscape

Iain Stewart takes a walk through some of Scotland's most intriguing landscapes, revealing how human activity has shaped the land we see today.

video

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Yannis Ziogas Ridha Dhib +4
video

Listening to the Land – Pilgrimage for Nature

20min documentary made about the pilgrimage told by the organisers and pilgrims who participated.

Jolie Booth
In Infrastructure (2002), Rachel Reupke depicts tiny human figures walking, fleeing, and pursuing through an Alpine transport network of airport, railway, autobahn, and ferry port, contrasting fragile human movement with relentless traffic and monumental infrastructure.

Infrastructure is a four-part video work by Rachel Reupke, imagining a transport network threading through an Alpine valley. An airport, railway, autobahn, and ferry port appear center frame, while a constant flow of traffic moves relentlessly. Against this backdrop, tiny human figures walk through the landscape, fleeing, pursuing, or simply traversing the terrain, their personal dramas fleeting and unresolved, often lost within the scale of technological spectacle.

Presented as four miniature journeys, the work contrasts the fragility of walking figures with the monumental infrastructure and sublime Alpine scenery. Their slow, physical movement highlights the tension between self-propelled motion and the modern obsession with speed, efficiency, and mechanized travel, prompting viewers to consider the human scale within these vast systems.

Reupke draws on cinematic techniques from early filmmaking and Hitchcock, combining still photography and live footage using mattes. Extended shots of three to four minutes invite the viewer to carefully observe the walking figures, the layered actions, and the interplay of scale, time, and place. The work transforms the audience into active witnesses of both technical craft and the endurance of human movement within a grand infrastructural landscape.

_
Sources: lux.org.uk; newmedia.art.org; Ellen Mueller Teaching; Rachel Reupke, 2005 interview.

Credits

Honourable Mention’ at Media City Festival 2004.

APA style reference

Reupke, R. (2002). Infrastructure. walk · listen · create. https://walklistencreate.org/walkingpiece/infrastructure/
Submitted by: Dani Spadotto

wander lines

The term “lignes d’erre” which was developped by Fernand Deligny who followed autist children in their shift had been taken up later by G.deleuze.

About wander lines: https://forumviesmobiles.org/points-de-vue/12619/surexpression-wander-lines

Added by Beatrice Didier
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