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1969

Las Vegas Piece

Walter De Maria’s Las Vegas Piece, Desert Valley, 95 miles northeast of Las Vegas, Nevada, (detail: aerial view), 1969
Las Vegas, Nevada, USA

abstraction

Collection · 17 items

drawing

Collection · 87 items

land art

Collection · 25 items

minimalism

1 sub-collections · 13 items

Related

Walking piece

Mile Long Drawing

For Mile Long Drawing, De Maria drew two parallel chalk lines a mile long in the Mojave Desert, bringing Minimalism outdoors.

Walter De Maria
Walking piece

Pride Square II

Pride Square II is a series of 12 small drawings that attempt to capture the energy and personality of a person walking through a busy public square in Sydney's Inner West suburb of Newtown.

Melinda Hunt
Curated news

Talking with Tony Smith

The sculptor-painter-architect, Tony Smith, born in South Orange, New Jersey in 1912, is one of the best-known unknowns in American art. Most people involved in the art world around New… Source: Talking with Tony Smith

Walking piece

Untitled (Pocket Drawings)

William Anastasi’s Pocket Drawings are made by marking folded sheets in his pocket while walking, creating abstract traces of movement. Part of his “unsighted” practice, they explore chance, motion, and perception, translating physical experience into subtle visual forms.

William Anastasi

abstraction

Collection · 17 items

drawing

Collection · 87 items

land art

Collection · 25 items

minimalism

1 sub-collections · 13 items

Related

Walking piece

Mile Long Drawing

For Mile Long Drawing, De Maria drew two parallel chalk lines a mile long in the Mojave Desert, bringing Minimalism outdoors.

Walter De Maria
Walking piece

Pride Square II

Pride Square II is a series of 12 small drawings that attempt to capture the energy and personality of a person walking through a busy public square in Sydney's Inner West suburb of Newtown.

Melinda Hunt
Curated news

Talking with Tony Smith

The sculptor-painter-architect, Tony Smith, born in South Orange, New Jersey in 1912, is one of the best-known unknowns in American art. Most people involved in the art world around New… Source: Talking with Tony Smith

Walking piece

Untitled (Pocket Drawings)

William Anastasi’s Pocket Drawings are made by marking folded sheets in his pocket while walking, creating abstract traces of movement. Part of his “unsighted” practice, they explore chance, motion, and perception, translating physical experience into subtle visual forms.

William Anastasi
Walter De Maria’s 1969 Las Vegas Piece – mile-long bulldozer lines forming a square in the desert – was hard to find even then and is now barely visible. The work’s elusiveness was central to the experience, emphasizing remoteness and chance.

A large, simple etching on the earth, made with four shallow cuts from the six foot blade of a bulldozer, two one mile long, two a half mile long, forming a square with half mile lines extending from it. Made in 1969 by the artist Walter de Maria, in a remote location north of Las Vegas, the piece was not maintained, and is only faintly visible today, to some.

The question is not whether you can visit Walter De Maria’s Las Vegas Piece; the question is, does it still exist? Already in 1972 when discussing the land art project with Paul Cummings, Walter de Maria seemed to emphasize the difficulty of actually experiencing Las Vegas Piece as part of the actual experience of Las Vegas Piece. He’d graded a mile-long square onto a barren desert valley north of the city, and you’d have little chance of even finding it, much less seeing it, much less seeing it all:

“It takes you about 2 or 3 hours to drive out to the valley and there is nothing in this valley except a cattle corral somewhere in the back of the valley. Then it takes you 20 minutes to walk off the road to get to the sculpture, so some people have missed it, have lost it. Then, when you hit this sculpture which is a mile long line cut with a bulldozer, at that point you have a choice of walking either east or west. If you walk east you hit a dead end; if you walk west you hit another road, at another point, you hit another line and you actually have a choice.” – Walter De Maria

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Reference: Center for Land Use Interpretation (CLUI) website; Greg Allen weblog.

Credits

Collection of the Nevada Museum of Art, The Altered Landscape, Carol Franc Buck Collection with additional support from the Estate of Nancy L. Peppin.

APA style reference

De Maria, W. (1969). Las Vegas Piece. walk · listen · create. https://walklistencreate.org/walkingpiece/las-vegas-piece/
Submitted by: Dani Spadotto

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