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1999

Let’s Walk

Let's Walk
McNally Street, LASALLE College of the Arts, Singapore

Sub-collection

Activism or Protest

Sub-collection · 54 items

gender

1 sub-collections · 40 items

Group Walks

Collection · 26 items
Sub-collection

Power Dynamics

Sub-collection · 35 items

Related

Walking piece

Vietnamese Women

In Vietnamese Women, Spero repeats an image of a Vietnamese woman fleeing the 1968 civilian massacre, taken from the news. Figures are layered, smudged, and collaged to convey movement, with the cigarette in her mouth symbolizing survival.

Nancy Spero
Walking piece

Gates of Troy

Gates of Troy (1969) unravels aluminum in the street, referencing Homer’s Iliad - Achilles dragging Hector’s corpse. The twisting metal takes on a corporeal presence, documented in both street and studio photographs.

Rosemarie Castoro
Walking piece

Carry That Weight

Columbia student Emma Sulkowicz’s project Carry That Weight inspired a nationwide movement, with students on over 130 campuses carrying mattresses to protest sexual assault and support survivors.

Emma Sulkowicz
Walking piece

The Journey of Nishiyuu

In 2013, six Cree youth from Whapmagoostui walked 1,600 km to Ottawa as part of the Idle No More movement to support Chief Theresa Spence and Indigenous rights. Joined by others along the way, they were celebrated as symbols of Indigenous resilience and unity.

James Bay Cree
Sub-collection

Activism or Protest

Sub-collection · 54 items

gender

1 sub-collections · 40 items

Group Walks

Collection · 26 items
Sub-collection

Power Dynamics

Sub-collection · 35 items

Related

Walking piece

Vietnamese Women

In Vietnamese Women, Spero repeats an image of a Vietnamese woman fleeing the 1968 civilian massacre, taken from the news. Figures are layered, smudged, and collaged to convey movement, with the cigarette in her mouth symbolizing survival.

Nancy Spero
Walking piece

Gates of Troy

Gates of Troy (1969) unravels aluminum in the street, referencing Homer’s Iliad - Achilles dragging Hector’s corpse. The twisting metal takes on a corporeal presence, documented in both street and studio photographs.

Rosemarie Castoro
Walking piece

Carry That Weight

Columbia student Emma Sulkowicz’s project Carry That Weight inspired a nationwide movement, with students on over 130 campuses carrying mattresses to protest sexual assault and support survivors.

Emma Sulkowicz
Walking piece

The Journey of Nishiyuu

In 2013, six Cree youth from Whapmagoostui walked 1,600 km to Ottawa as part of the Idle No More movement to support Chief Theresa Spence and Indigenous rights. Joined by others along the way, they were celebrated as symbols of Indigenous resilience and unity.

James Bay Cree
Walking piece
Let’s Walk performance was a response to how working women were turning to beauty and cosmetic treatments to keep their jobs during the 1997 Asian financial crisis.

Heng has been a central figure in Singaporean performance art as well as in feminist discourse in Singapore since the 1980s. Her body of ‘walking works’ began in 1999 with Let’s Walk.

She created Let’s Walk in response to a range of worrying trends that continue to echo to this day. In 1997, Asia was hit hard by a financial crisis. Many people lost their jobs and businesses, but women seemed to be the first to be retrenched. Curiously and disturbingly, the beauty business did especially well at this time, as women were pressured to look better than their natural best. In Heng’s own words, “A lot of Singaporean women were ‘upgrading’ themselves, going to beauty salons, having plastic surgery, and so on, to keep their jobs. A woman’s looks are still worth more than her abilities.”

Let’s Walk was first presented outside the campus of LASALLE – SIA College of Arts at Goodman Road on 9 December 1999 as part of the exhibition Ambulations at the campus’ Earl Lu Gallery. Five female audience-participants joined Amanda in the walk. The performance has since travelled to Spain, Indonesia, Japan, Sweden and France.

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Based on information from the Let’s Talk About Text, Baby and Singapore Art & Gallery Guide websites.

APA style reference

Heng, A. (1999). Let’s Walk. walk · listen · create. https://walklistencreate.org/walkingpiece/lets-walk/
Submitted by: Dani Spadotto

pedestrian acts

By de Certeau: In “Walking in the City”, de Certeau conceives pedestrianism as a practice that is performed in the public space, whose architecture and behavioural habits substantially determine the way we walk. For de Certeau, the spatial order “organises an ensemble of possibilities (e.g. by a place in which one can move) and interdictions (e.g. by a wall that prevents one from going further)” and the walker “actualises some of these possibilities” by performing within its rules and limitations. “In that way,” says de Certeau, “he makes them exist as well as emerge.” Thus, pedestrians, as they walk conforming to the possibilities that are brought about by the spatial order of the city, constantly repeat and re-produce that spatial order, in a way ensuring its continuity. But, a pedestrian could also invent other possibilities. According to de Certeau, “the crossing, drifting away, or improvisation of walking privilege, transform or abandon spatial elements.” Hence, the pedestrians could, to a certain extent, elude the discipline of the spatial order of the city. Instead of repeating and re-producing the possibilities that are allowed, they can deviate, digress, drift away, depart, contravene, disrupt, subvert, or resist them. These acts, as he calls them, are pedestrian acts.

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