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2018

Listening Underwater – Mooloolaba

Import from Echoes
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Mexico

Collection · 25 items

Ocean

Collection · 3 items

water

4 sub-collections · 82 items

Related

Sound walk

Pools of Poetry

Walk the campus of the National Hispanic Cultural Center, and listen to poetry by New Mexican writers about local land, water, and culture.

Ellen Dornan
walkingevent

City Comparatives: The Bridges of Rotterdam

In this walk we walk through Rotterdam, along the river, stopping at each bridge fish to listen, then to reflect on the differences we can hear compared to the other bridges. The repetition of the bridge form allows us to more acutely sense the contrast between each of them, to experience and appreciate them more

John Hill
Sound walk

Listening to Bees

This binaural recording of bees was captured in May 2021 at Fairlight Country Park, Sussex, using ear mics from Falmouth University. The accompanying geocache and site artworks were created collaboratively with volunteers who researched the park’s history.

Mary Hooper
walkingevent

(dis)solutions II (sound walk)

The 8-channel sound composition (dis)solutions II reflects on proximity between bodies through water.

Anne Cecilie Caroline Brunborg Lie Katarina Radaljac

Mexico

Collection · 25 items

Ocean

Collection · 3 items

water

4 sub-collections · 82 items

Related

Sound walk

Pools of Poetry

Walk the campus of the National Hispanic Cultural Center, and listen to poetry by New Mexican writers about local land, water, and culture.

Ellen Dornan
walkingevent

City Comparatives: The Bridges of Rotterdam

In this walk we walk through Rotterdam, along the river, stopping at each bridge fish to listen, then to reflect on the differences we can hear compared to the other bridges. The repetition of the bridge form allows us to more acutely sense the contrast between each of them, to experience and appreciate them more

John Hill
Sound walk

Listening to Bees

This binaural recording of bees was captured in May 2021 at Fairlight Country Park, Sussex, using ear mics from Falmouth University. The accompanying geocache and site artworks were created collaboratively with volunteers who researched the park’s history.

Mary Hooper
walkingevent

(dis)solutions II (sound walk)

The 8-channel sound composition (dis)solutions II reflects on proximity between bodies through water.

Anne Cecilie Caroline Brunborg Lie Katarina Radaljac
Sound walk
Listening Underwater is an audio project featured at the Horizon Festival 2018 that uses GPS-triggered soundscapes to reveal over 100 aquatic acoustic environments along the Sunshine Coast. The sound walks highlight underwater ecosystems from locations worldwide, offering a non-invasive way to engage with changing aquatic habitats and the impacts of climate change.

Immerse yourself in a world of sound and discover more than 100 aquatic soundscapes across the Sunshine Coast for Horizon Festival 2018.

Listening Underwater uses GPS points to trigger audio based on location and movement and can be experienced anytime during the festival. New sounds will be added everyday and the sounds will evolve and adapt daily during the event, every sound walk will be a different experience.

Listening Underwater reveals the acoustic ecologies beneath the surface of oceans, lakes and rivers across the planet. Looking at the surface of a river or marine ecosystem, it is virtually impossible to detect environmental changes. The impacts of climate change are often visible in terrestrial environments, yet dramatic changes in aquatic ecosystems can go unnoticed simply due to visibility. Listening to hydrophones (underwater microphones) provides access to a non-invasive way of understanding changing aquatic ecosystems.

The featured locations include coastal mangroves in Mexico, frozen rivers in Norway, the iconic Great Barrier Reef and the coastline of Queensland including K’Gari (Fraser Island), a major transitory point for humpback whales on their southern migration.

Listening Underwater is best experienced with headphones.

This project has been supported by the Regional Arts Development Fund, a partnership between the Queensland Government and Sunshine Coast Council to support local arts and culture in regional Queensland.

#ListeningUnderwater #HorizonArtFest

Tweet @LeahBarclay with questions

APA style reference

Barclay, L. (2018). Listening Underwater – Mooloolaba. walk · listen · create. https://walklistencreate.org/walkingpiece/listening-underwater-mooloolaba/

pedestrian acts

By de Certeau: In “Walking in the City”, de Certeau conceives pedestrianism as a practice that is performed in the public space, whose architecture and behavioural habits substantially determine the way we walk. For de Certeau, the spatial order “organises an ensemble of possibilities (e.g. by a place in which one can move) and interdictions (e.g. by a wall that prevents one from going further)” and the walker “actualises some of these possibilities” by performing within its rules and limitations. “In that way,” says de Certeau, “he makes them exist as well as emerge.” Thus, pedestrians, as they walk conforming to the possibilities that are brought about by the spatial order of the city, constantly repeat and re-produce that spatial order, in a way ensuring its continuity. But, a pedestrian could also invent other possibilities. According to de Certeau, “the crossing, drifting away, or improvisation of walking privilege, transform or abandon spatial elements.” Hence, the pedestrians could, to a certain extent, elude the discipline of the spatial order of the city. Instead of repeating and re-producing the possibilities that are allowed, they can deviate, digress, drift away, depart, contravene, disrupt, subvert, or resist them. These acts, as he calls them, are pedestrian acts.

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