Search
My feed
SWS21 2021

Lithic Fragments

Powell Butte Deer
Powell Butte, OR, USA
45 minutes
Free

field recordings

Collection · 43 items

percussion

Collection · 3 items

percussions

Collection · 1 items

spring

Collection · 19 items

Related

Sound walk

L E T M E T A K E Y O U T H E R E

This 18-minute stereo sound walk, set in a snowy field north of Hebden Bridge, UK, combines field recordings, ambient drones, and 1980s pop loops with a spoken monologue linking cultural figures like Leon Trotsky and Ian Curtis. The piece centers on photographer Charlie Meecham capturing the snowy scene used for Joy Division’s single "Atmosphere" cover, incorporating contributions from Paul Rooney and others.

Alain Chamois
Sound walk

Soundpaths: Heptonstall

In Soundpaths: Heptonstall, the traditional funereal folk song 'Lyke Wake Dirge' is blended with field recordings and mapped over the entire old village of Heptonstall in West Yorkshire.

Yonatan Collier
Sound walk

Tuning to the open air – Thurston Pond Soundwalk

This soundwalk invites you to imagine sounds of the past, present, and future that are heard internally and externally to our ears. Soundwalk is rooted in deep listening and re-attuning our ears to the activities in the surrounding soundscape.

Akari Komura
Sound walk

A Meeting Place | 会议地点

This soundwalk uses oral histories and 360-degree binaural audio to explore the Centre for Chinese Contemporary Art’s archive, highlighting migrant experiences and cultural memories in Manchester’s Chinatown. By triggering geolocated sounds and interview clips via GPS, listeners can immerse themselves in the area’s hidden histories through their smartphones and headphones.

Hayley Suviste

field recordings

Collection · 43 items

percussion

Collection · 3 items

percussions

Collection · 1 items

spring

Collection · 19 items

Related

Sound walk

L E T M E T A K E Y O U T H E R E

This 18-minute stereo sound walk, set in a snowy field north of Hebden Bridge, UK, combines field recordings, ambient drones, and 1980s pop loops with a spoken monologue linking cultural figures like Leon Trotsky and Ian Curtis. The piece centers on photographer Charlie Meecham capturing the snowy scene used for Joy Division’s single "Atmosphere" cover, incorporating contributions from Paul Rooney and others.

Alain Chamois
Sound walk

Soundpaths: Heptonstall

In Soundpaths: Heptonstall, the traditional funereal folk song 'Lyke Wake Dirge' is blended with field recordings and mapped over the entire old village of Heptonstall in West Yorkshire.

Yonatan Collier
Sound walk

Tuning to the open air – Thurston Pond Soundwalk

This soundwalk invites you to imagine sounds of the past, present, and future that are heard internally and externally to our ears. Soundwalk is rooted in deep listening and re-attuning our ears to the activities in the surrounding soundscape.

Akari Komura
Sound walk

A Meeting Place | 会议地点

This soundwalk uses oral histories and 360-degree binaural audio to explore the Centre for Chinese Contemporary Art’s archive, highlighting migrant experiences and cultural memories in Manchester’s Chinatown. By triggering geolocated sounds and interview clips via GPS, listeners can immerse themselves in the area’s hidden histories through their smartphones and headphones.

Hayley Suviste
Sound walk
Lithic Fragments is a composed score combining field recordings from Powell Butte Nature Park with piano, cello, contrabass, and percussion, capturing the park's ecology and human interactions. The recordings document specific locations and times, including evening grasses, early morning birds, midday insect sounds, quiet forest wind, water pump machinery, and ice falling from trees.

Lithic Fragments is a composed score for field recordings, piano, cello, contrabass, and percussion to be experienced at Powell Butte Nature Park in East Portland. The field recordings were made at Powell Butte during 2021. You can hear the special ecology and environment in each field recording. These sounds are in conversation with scored instrumental elements.

The grasses and human interaction you hear in the opening is at emergency post 13. This recording was made at about 7:45pm on a warm summer evening. At 8 minutes you begin to hear early morning birds where South Trail meets the edge of the forest near the Spring Water Corridor. For that field recording I laid down in the grass to make my presence less known to the airborne creatures. As you can hear they are crossing from tree to tree, hiding in bushes, calling out to each other.

At about 20 minutes you hear a quiet midday bug song and a walker slowly pass by. Just after the recording, a rare summer precipitation closed in to silence the bug song. Later, very faintly under the music you can hear a field recording of wind moving through the forest close to emergency post 25. Incidentally, I found this spot to be the quietest location in the park—due to the geographic location most or all of the distant road noise is shielded and there is very little fauna roaming the forest, except one brave squirrel who hid as I arrived.

Machine sounds of water pumps, whirling relays, and small motors emerge around 28 minutes. This field recording is maybe the most active and harmonically complex. I met with the maintenance crew from the Portland Water Bureau who shared the underground site where water is pushed, pulled, and pumped from the Bull Run Watershed all the way to these vast underground tanks at Powell Butte. The field recording is backed by a phasing rhythmic pulse on two cymbals. See if you can hear the water? In the closing minutes you hear ice falling from trees.

Credits

Hosted by: Third Angle New Music

APA style reference

Third Angle New Music, & Howard, B. (2021). Lithic Fragments. walk · listen · create. https://walklistencreate.org/walkingpiece/lithic-fragments-by-branic-howard/
Third Angle New Music

Third Angle New Music

Creating sonic adventurous experiences in Portland, OR (United States) 
Branic Howard

Branic Howard

 

pedestrian acts

By de Certeau: In “Walking in the City”, de Certeau conceives pedestrianism as a practice that is performed in the public space, whose architecture and behavioural habits substantially determine the way we walk. For de Certeau, the spatial order “organises an ensemble of possibilities (e.g. by a place in which one can move) and interdictions (e.g. by a wall that prevents one from going further)” and the walker “actualises some of these possibilities” by performing within its rules and limitations. “In that way,” says de Certeau, “he makes them exist as well as emerge.” Thus, pedestrians, as they walk conforming to the possibilities that are brought about by the spatial order of the city, constantly repeat and re-produce that spatial order, in a way ensuring its continuity. But, a pedestrian could also invent other possibilities. According to de Certeau, “the crossing, drifting away, or improvisation of walking privilege, transform or abandon spatial elements.” Hence, the pedestrians could, to a certain extent, elude the discipline of the spatial order of the city. Instead of repeating and re-producing the possibilities that are allowed, they can deviate, digress, drift away, depart, contravene, disrupt, subvert, or resist them. These acts, as he calls them, are pedestrian acts.

Problem?

Encountered a problem? Report it to let us know.

  • Include the page on which you encountered the problem.
  • Describe what happened.
  • Describe what you expected to happen.
Follow us