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2007

Mapa-Múndi/BR

Exhibition documentation
Brazil

Drifting

Collection · 19 items

glocal

Collection · 2 items

Photography

5 sub-collections · 156 items
Sub-collection

solo walk

Sub-collection · 21 items

Related

Walking piece

Walking Studies

Muybridge’s Walking Series captures human and animal gait step-by-step through rapid sequential photography, revealing movement with unprecedented precision and shaping early studies in biomechanics, art, and motion imagery (MUYBRIDGE, 1887).

Eadweard Muybridge
Walking piece

Cartas

Cartas is a work-in-progress featuring photographs of mailboxes found during walks in cities around the world.

Dani Spadotto
Walking piece

Colour charts

The Colour Charts are created during colour walks where the artist collects pigments—gravel, dirt, dust, and bird droppings—from overlooked city places. Using watercolor, these collected traces form charts, mapping the city through experimental exploration.

Olle Helin
walkingevent

Rediscovering Britain with Quintin Lake

Join Quintin Lake for an illustrated discussion of his solo pilgrimage around the coast of Britain. We are delighted to welcome Quintin Lake here to Hatchards this evening for an illustrated talk on his experience of walking and photographing Britain for his book The Perimeter. On Friday 17 April 2015, photographer Quintin Lake set off

Quintin Lake

Drifting

Collection · 19 items

glocal

Collection · 2 items

Photography

5 sub-collections · 156 items
Sub-collection

solo walk

Sub-collection · 21 items

Related

Walking piece

Walking Studies

Muybridge’s Walking Series captures human and animal gait step-by-step through rapid sequential photography, revealing movement with unprecedented precision and shaping early studies in biomechanics, art, and motion imagery (MUYBRIDGE, 1887).

Eadweard Muybridge
Walking piece

Cartas

Cartas is a work-in-progress featuring photographs of mailboxes found during walks in cities around the world.

Dani Spadotto
Walking piece

Colour charts

The Colour Charts are created during colour walks where the artist collects pigments—gravel, dirt, dust, and bird droppings—from overlooked city places. Using watercolor, these collected traces form charts, mapping the city through experimental exploration.

Olle Helin
walkingevent

Rediscovering Britain with Quintin Lake

Join Quintin Lake for an illustrated discussion of his solo pilgrimage around the coast of Britain. We are delighted to welcome Quintin Lake here to Hatchards this evening for an illustrated talk on his experience of walking and photographing Britain for his book The Perimeter. On Friday 17 April 2015, photographer Quintin Lake set off

Quintin Lake
Walking piece
Created by the artist during her driftings across Brazil, *Mapa-Múndi/Br* is a series of photographs of Brazilian signs that reference foreign continents, countries, regions, and cities.

The photographs reproduced on the postcards in this work depict locations throughout Brazil – including motels, bars, churches, and stores – that are named after foreign continents, countries, regions, and cities; these include the seemingly incongruous Alaska, Baghdad, China, Jerusalem, Las Vegas, and Tokyo. While postcards typically represent the touristic desire to capture an “authentic” local experience, Rivane Neuenschwander’s images document the artist’s travels throughout Brazil while reflecting the desire of local communities to identify with an increasingly globalized culture.

_
Source: Guggenheim Museum.

APA style reference

Neuenschwander, R. (2007). Mapa-Múndi/BR. walk · listen · create. https://walklistencreate.org/walkingpiece/mapa-mundi-br/
Submitted by: Dani Spadotto

pedestrian acts

By de Certeau: In “Walking in the City”, de Certeau conceives pedestrianism as a practice that is performed in the public space, whose architecture and behavioural habits substantially determine the way we walk. For de Certeau, the spatial order “organises an ensemble of possibilities (e.g. by a place in which one can move) and interdictions (e.g. by a wall that prevents one from going further)” and the walker “actualises some of these possibilities” by performing within its rules and limitations. “In that way,” says de Certeau, “he makes them exist as well as emerge.” Thus, pedestrians, as they walk conforming to the possibilities that are brought about by the spatial order of the city, constantly repeat and re-produce that spatial order, in a way ensuring its continuity. But, a pedestrian could also invent other possibilities. According to de Certeau, “the crossing, drifting away, or improvisation of walking privilege, transform or abandon spatial elements.” Hence, the pedestrians could, to a certain extent, elude the discipline of the spatial order of the city. Instead of repeating and re-producing the possibilities that are allowed, they can deviate, digress, drift away, depart, contravene, disrupt, subvert, or resist them. These acts, as he calls them, are pedestrian acts.

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