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2014

Museo Barda del Desierto

The map
Museo Barda del Desierto, Contralmirante Cordero, Río Negro Province, Argentina

architecture

1 sub-collections · 76 items

Landscape

Collection · 352 items

Territory

Collection · 6 items

Related

Walking piece

Infrastructure

In Infrastructure (2002), Rachel Reupke depicts tiny human figures walking, fleeing, and pursuing through an Alpine transport network of airport, railway, autobahn, and ferry port, contrasting fragile human movement with relentless traffic and monumental infrastructure.

Rachel Reupke
url

Walking through landscape

Iain Stewart takes a walk through some of Scotland's most intriguing landscapes, revealing how human activity has shaped the land we see today.

video

Listening to the Land – Pilgrimage for Nature

20min documentary made about the pilgrimage told by the organisers and pilgrims who participated.

Jolie Booth
Curated news

Walkways of the M50: John O’Reilly on making art from infrastructure 

John O’Reilly finds that the concrete walkways around the infamous motorway can be surprisingly atmospheric places Source: Walkways of the M50: John O’Reilly on making art from infrastructure 

architecture

1 sub-collections · 76 items

Landscape

Collection · 352 items

Territory

Collection · 6 items

Related

Walking piece

Infrastructure

In Infrastructure (2002), Rachel Reupke depicts tiny human figures walking, fleeing, and pursuing through an Alpine transport network of airport, railway, autobahn, and ferry port, contrasting fragile human movement with relentless traffic and monumental infrastructure.

Rachel Reupke
url

Walking through landscape

Iain Stewart takes a walk through some of Scotland's most intriguing landscapes, revealing how human activity has shaped the land we see today.

video

Listening to the Land – Pilgrimage for Nature

20min documentary made about the pilgrimage told by the organisers and pilgrims who participated.

Jolie Booth
Curated news

Walkways of the M50: John O’Reilly on making art from infrastructure 

John O’Reilly finds that the concrete walkways around the infamous motorway can be surprisingly atmospheric places Source: Walkways of the M50: John O’Reilly on making art from infrastructure 

Walking piece
Barda del Desierto Museum (mBDD) is an open-air contemporary art museum in Northern Patagonia. Visitors walk through the steppe landscape, accessing site-specific digital works via QR codes, linking art, architecture, territory, and technology.

The Barda del Desierto Museum (mBDD) is an open-air contemporary art project embedded in the landscape of Northern Patagonia, Argentina. Conceived as a site-responsive initiative within the Norpatagonian steppe, the museum integrates art, architecture, and digital technologies into the territory itself. As visitors walk through the landscape—across the steppe, between geological formations and irrigation channels—they access the artworks via mobile devices by scanning QR codes installed along the route, activating each piece digitally while inhabiting the physical environment.

The museum circuit is composed of three exhibition spaces whose collection consists of site-specific works presented in digital format. Each piece is introduced through a plaque installed at the geographic coordinates (latitude and longitude) of its original location. The plaques include authorship details, a synopsis, and technical information, along with a QR code that, through mobile technology, provides access to the sound, audiovisual, and/or photographic documentation of each work.

In this way, the museum proposes a map that functions as an open plan through which visitors engage with the steppe, its geology, and biodiversity through art. The route, defined yet not enclosed, invites an interpretative stance toward the landscape and its context, articulating the precedents proposed by the artistic works within the territory. Thus, a dilation of space is produced—traversed by an invisible architecture that operates as a container for the relationship between the visitor and the inhabited environment.

Credits

Team

Direction and Curatorship: Maria Eugenia Cordero
Management and Production: Belen Arena Arce
Design & Visual Communication: Flavia Visconte
Photographic and Audiovisual Production: Cecilia Maletti

APA style reference

Museo Barda del Desierto (2014). Museo Barda del Desierto. walk · listen · create. https://walklistencreate.org/walkingpiece/museo-barda-del-desierto/
Submitted by: Dani Spadotto

driftsinging

Drawing with (vocal) sound in response to place while passing through place. Driftsinging borrows from the Situationist Drift, and Baudelaire’s flâneur. Driftsinging also relates to the process of ‘sounding,’ the sonic measuring of distance and depth that locates position in place and ‘echo location’, the examination of place through sonic reflection and refraction, resonance and echo.

Added by R and F Mo
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