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The Perimeter – a photographic journey around the coast of Britain
On Friday 17 April 2015, photographer Quintin Lake set off from the steps of St Paul’s Cathedral on a five-year journey that would take him around the entire coastline of mainland Britain. Armed with twenty kilos of hiking and photography gear, he walked 11,000 kilometres in 454 days with one goal in mind: to produce
A Certain Logic of Expectations
A Certain Logic of Expectations proposes a counter-narrative of the British city of Oxford that resists the visual imperatives of its ancient university. For the past five years, Arturo Soto (MX) explored the longstanding division between town and gown through a careful selection of spaces and objects.His visual narrative is loosely structured around the following thematic strands: notions of home and
Related
The Perimeter – a photographic journey around the coast of Britain
On Friday 17 April 2015, photographer Quintin Lake set off from the steps of St Paul’s Cathedral on a five-year journey that would take him around the entire coastline of mainland Britain. Armed with twenty kilos of hiking and photography gear, he walked 11,000 kilometres in 454 days with one goal in mind: to produce
A Certain Logic of Expectations
A Certain Logic of Expectations proposes a counter-narrative of the British city of Oxford that resists the visual imperatives of its ancient university. For the past five years, Arturo Soto (MX) explored the longstanding division between town and gown through a careful selection of spaces and objects.His visual narrative is loosely structured around the following thematic strands: notions of home and
As the premise of “Narcoturismo (Narcotourism)” Alys stated: “I will walk in the city [Copenhagen] over the course of seven days, under the influence of a different drug each day. My trip will be recorded through photographs, notes, and any other media that become relevant.” Thus, the experiment conducted by the artist consisted of imbibing the following substances May 5 11 of that year: spirits, hashish, speed, heroin, cocaine, valium, and ecstasy. The process of creating the work involved preserving (ostensibly) a state of intoxication for fourteen hours each day. Alys later displayed a page of text, including diaristic accounts of his experiences (“Awareness of a change of state, but not followed by a visual echo. Auditory acuity enhanced. Appetite gone. Smoking diminished. At night, nausea and thirst.”) and a photographic image of the artist’s walking feet clad in Converse high-tops was used to represent the piece.

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