Phat Free begins with several minutes of darkness overlaid with an unidentifiable loud, metallic sound. As the video image is revealed, a man—Hammons himself—appears dressed in a long coat, felt hat, and sneakers, kicking a metal bucket down a deserted city sidewalk late at night. The work was shot in 1995 to document Hammons’s late-night performance and edited into an independent video work four years later. At first seemingly violent, the noise evolves into an almost musical rhythm that is synchronized with the protagonist’s methodical movements. The title elaborates this musical allusion, conjuring both the streetwise lyricism of rap and hip-hop and the improvisational nature of jazz.

The video’s rough, grainy texture communicates the harsh reality of life on the streets and also evokes the early performance videos of Vito Acconci, Bruce Nauman, and others. In and of itself, the action of kicking the bucket suggests the man’s potentially unfortunate fate. At once jarring and poetic, Hammons’s simple gesture becomes an act of symphonic proportion, a compelling metaphor for one kind of contemporary black urban experience.

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Source: The Art Institute of Chicago website.