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1975

PostAção

PostAção
Recife, State of Pernambuco, Brazil

Object

Collection · 3 items

Processions or Marches or Parades

Collection · 10 items

Subversion

Collection · 1 items

Related

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Andrew Stuck
Walking piece

OMWEGEN / DETOURS

OMWEGEN / DETOURS is a guided performance walk by Ienke Kastelein and Sarah Kaushik. Participants follow themed routes that sharpen the senses and explore shifting boundaries between body, nature, and perception.

Sarah Kaushik Ienke Kastelein
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The Idle walk of the Year

For the Idle Walk of the Year, the Berserk group carried objects from the Ethnological Museum to Amalienborg Square as slowly as possible, while Eric polished the Palace square with petroleum, continuing the museum’s long-standing floor-care tradition.

Eric Andersen
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Property Lines

Property Lines is a collection of graphite rubbings on paper documenting 76 property line floor markings in New York City sidewalks.

Francisca Benítez

Object

Collection · 3 items

Processions or Marches or Parades

Collection · 10 items

Subversion

Collection · 1 items

Related

post

Submissions – Performativity(ies) of Memory(ies) Interdisciplinary Conference 2026

Abstract submission deadline 15 July 2026 Recommended topics: Shared memory of experiences and knowledge Participatory research and practice as testimony of (the) memory Community-generated memory … Source: Submissions – Performativity(ies) of Memory(ies) Interdisciplinary Conference 2026

Andrew Stuck
Walking piece

OMWEGEN / DETOURS

OMWEGEN / DETOURS is a guided performance walk by Ienke Kastelein and Sarah Kaushik. Participants follow themed routes that sharpen the senses and explore shifting boundaries between body, nature, and perception.

Sarah Kaushik Ienke Kastelein
Walking piece

The Idle walk of the Year

For the Idle Walk of the Year, the Berserk group carried objects from the Ethnological Museum to Amalienborg Square as slowly as possible, while Eric polished the Palace square with petroleum, continuing the museum’s long-standing floor-care tradition.

Eric Andersen
Walking piece

Property Lines

Property Lines is a collection of graphite rubbings on paper documenting 76 property line floor markings in New York City sidewalks.

Francisca Benítez
Walking piece
In PostAção, the artist created an oversized envelope and staged a public procession to the post office. Rejected for exceeding postal limits, the action exposed institutional bureaucracy and transformed mail into a performative, subversive artwork.

The work “PostAção” (1975) is also a piece of mail art. The mailing process, its fabrication, the format of the work, and its transportation are important aspects for its understanding. This postal action was an attempt by Bruscky to circumvent the bureaucracy of the institution (the postal service). The artist produced a large-scale letter, exceeding the size allowed for mailing, and staged a kind of procession: together with other people, he “escorted” the envelope from the Livro 7 Bookstore, on 7 de Setembro Street, to the central Post Office building. The envelope was rejected, and the postal action was documented through photography.

With this action, the artist revealed his subversive character in relation to institutions of governmental power (in this case, the Post Office, a state-owned company) and even to art itself. Later, Bruscky combined a photograph derived from “PostAção” with a short text that helped guide the interpretation of the work. This handwritten text stated:

“Postal action by Paulo Bruscky.

The artist made an envelope measuring 1.80 x 0.90 m containing a 5-meter-long letter. The postal action was carried out in the city of Recife in 1975. The envelope was carried by the artist and other people from the Livro 7 Bookstore, on 7 de Setembro Street, proceeding along Conde da Boa Vista Avenue and Guararapes Avenue, until reaching the central Post Office building. The ‘situation’ upon the arrival of the envelope / artist / public was documented in slides, which were sent together with the envelope to the Arte Nuevo gallery in Buenos Aires / Argentina, where the ‘Ultima Exposición de Arte por Correspondencia 75’ was held, organized by Horacio Zabala and Edgardo Vigo.”

_
TAVARES, Sigrid Azevedo. Da performance ao postal: a arte postal de Paulo Bruscky. 2017. Dissertação (Mestrado em Artes)

APA style reference

Bruscky, P. (1975). PostAção. walk · listen · create. https://walklistencreate.org/walkingpiece/postacao/
Submitted by: Dani Spadotto

pedestrian acts

By de Certeau: In “Walking in the City”, de Certeau conceives pedestrianism as a practice that is performed in the public space, whose architecture and behavioural habits substantially determine the way we walk. For de Certeau, the spatial order “organises an ensemble of possibilities (e.g. by a place in which one can move) and interdictions (e.g. by a wall that prevents one from going further)” and the walker “actualises some of these possibilities” by performing within its rules and limitations. “In that way,” says de Certeau, “he makes them exist as well as emerge.” Thus, pedestrians, as they walk conforming to the possibilities that are brought about by the spatial order of the city, constantly repeat and re-produce that spatial order, in a way ensuring its continuity. But, a pedestrian could also invent other possibilities. According to de Certeau, “the crossing, drifting away, or improvisation of walking privilege, transform or abandon spatial elements.” Hence, the pedestrians could, to a certain extent, elude the discipline of the spatial order of the city. Instead of repeating and re-producing the possibilities that are allowed, they can deviate, digress, drift away, depart, contravene, disrupt, subvert, or resist them. These acts, as he calls them, are pedestrian acts.

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