Related
Walking Art and Resistance at the 61st Venice Biennale: from Pussy Riot to the Holy See
Venice in May. Green water, muted light, the racketing of tourists’ wheeling luggage across damp stone. Now the Biennale has opened there are new sounds, sometimes protest chants, sometimes the footsteps of marchers. Or perhaps they are old sounds. Venice: a stage for spectacle and protest since the upheavals of 1968. The clamour of a
Grace Adam’s Art Directions: Streets and Gardens
Spring will be tantalisingly close, with new shoots and bulbs out, and whatever restrictions COVID brings, we at the Museum of Walking are determined to celebrate our streets and gardens. We are delighted that artist and educator, Grace Adam has joined as a Co-creator to share with us her enthusiasm for how artists have depicted streets and gardens through time. She
Creative Field Work in Forest Plantations
This interactive exposition shares the processes and findings of an artistic research project which uses sited creative practices – including field recordings, sound-making, walking practices and song – to explore Portuguese forest plantations.
Related
Walking Art and Resistance at the 61st Venice Biennale: from Pussy Riot to the Holy See
Venice in May. Green water, muted light, the racketing of tourists’ wheeling luggage across damp stone. Now the Biennale has opened there are new sounds, sometimes protest chants, sometimes the footsteps of marchers. Or perhaps they are old sounds. Venice: a stage for spectacle and protest since the upheavals of 1968. The clamour of a
Grace Adam’s Art Directions: Streets and Gardens
Spring will be tantalisingly close, with new shoots and bulbs out, and whatever restrictions COVID brings, we at the Museum of Walking are determined to celebrate our streets and gardens. We are delighted that artist and educator, Grace Adam has joined as a Co-creator to share with us her enthusiasm for how artists have depicted streets and gardens through time. She
Creative Field Work in Forest Plantations
This interactive exposition shares the processes and findings of an artistic research project which uses sited creative practices – including field recordings, sound-making, walking practices and song – to explore Portuguese forest plantations.
Drawing with ink and rainwater, in the confined space of walking my garden during lockdown, led me to travel in my imagination from a small garden puddle to a landscape of possibilities and a wider elemental exploration of place, of land and sea, earth and water. As I tried to contain, trace around and rescue inky edges from disappearing into the page, an imaginary world appeared. Mapping the same area repeatedly over a period of time, each Puddle World drawing shows slight shifts of boundaries and borders, echoing the impact of political and climate change. No longer able to continue my long-distance journeys, drawing along the way, I instead turned to the ground of my garden, finding in it a wider space to roam that stretched beyond its physical and material boundaries.
Credits
Ruth Broadbent

You must be logged in to post a comment.