Search
My feed
2013

Season for Falling and Invitation to Fall

Performance documentation
London, UK

Conceptual

Collection · 11 items
Sub-collection

Embodiment or Mind Body Connection

Sub-collection · 28 items

Falling

Collection · 5 items

physicalité

Collection · 2 items

Related

Walking piece

World-Wide-Walks

World-Wide-Walks by Peter d’Agostino is a decades-long project exploring walking through physical, virtual, and networked spaces. Combining video, installations, and VR, it examines movement, perception, environment, technology, and human interaction.

Peter D'Agostino
Walking piece

Touch

In Touch, Janine Antoni walks a tightrope on the beach of her childhood home, creating the illusion of walking on water. The work explores balance, perfection, and connection with viewers, inviting reflection on hope, the horizon, and human striving.

Janine Antoni
Walking piece

Walking Piece

Yoko Ono’s Walking Piece (Grapefruit, 1964) turns walking into art: follow another’s footsteps silently across varied terrains, fostering mindfulness, bodily awareness, and making the enactment of the instruction the artwork itself.

Yoko Ono
Walking piece

DELIRIUM AMBULATORIUM

Hélio Oiticica’s Delirium Ambulatorium explores urban wandering as a creative practice, a “to-and-from” movement without linearity, where walking through the city feeds the mind, transforms urban space into a playground, and allows new artistic ideas to emerge through sensory, bodily, and chance encounters.

Hélio Oiticica

Conceptual

Collection · 11 items
Sub-collection

Embodiment or Mind Body Connection

Sub-collection · 28 items

Falling

Collection · 5 items

physicalité

Collection · 2 items

Related

Walking piece

World-Wide-Walks

World-Wide-Walks by Peter d’Agostino is a decades-long project exploring walking through physical, virtual, and networked spaces. Combining video, installations, and VR, it examines movement, perception, environment, technology, and human interaction.

Peter D'Agostino
Walking piece

Touch

In Touch, Janine Antoni walks a tightrope on the beach of her childhood home, creating the illusion of walking on water. The work explores balance, perfection, and connection with viewers, inviting reflection on hope, the horizon, and human striving.

Janine Antoni
Walking piece

Walking Piece

Yoko Ono’s Walking Piece (Grapefruit, 1964) turns walking into art: follow another’s footsteps silently across varied terrains, fostering mindfulness, bodily awareness, and making the enactment of the instruction the artwork itself.

Yoko Ono
Walking piece

DELIRIUM AMBULATORIUM

Hélio Oiticica’s Delirium Ambulatorium explores urban wandering as a creative practice, a “to-and-from” movement without linearity, where walking through the city feeds the mind, transforms urban space into a playground, and allows new artistic ideas to emerge through sensory, bodily, and chance encounters.

Hélio Oiticica
Walking piece
Season for Falling and Invitation to Fall (2013) by Amy Sharrocks explores falling, risk, shame, and vulnerability. Sharrocks invites participants to fall physically, reflecting on control, exposure, and the human experience of loss of balance.

Season for Falling and Invitation to Fall (2013) by Amy Sharrocks is a durational, participatory live art project developed during her Sculpture Shock residency, in which she and others explored the physical and conceptual act of falling as a way to question ideas of risk, vulnerability, control, exposure, and the “shame” associated with losing balance or stature. Over the course of the residency, Sharrocks repeatedly engaged in acts of falling—sometimes using her own body and other times inviting members of the public to join her—to examine falling as a natural and shared human experience, overturning cultural biases toward being upright and sure‑footed.

In Invitation to Fall, held on London’s King’s Road and later presented at the Museum of London, participants were encouraged to fall onto crash mats in public, foregrounding the complicity of witness, collective engagement, and the liberation in embracing imperfection and risk.

APA style reference

Sharrocks, A. (2013). Season for Falling and Invitation to Fall. walk · listen · create. https://walklistencreate.org/walkingpiece/season-for-falling-and-invitation-to-fall/
Submitted by: Dani Spadotto

pedestrian acts

By de Certeau: In “Walking in the City”, de Certeau conceives pedestrianism as a practice that is performed in the public space, whose architecture and behavioural habits substantially determine the way we walk. For de Certeau, the spatial order “organises an ensemble of possibilities (e.g. by a place in which one can move) and interdictions (e.g. by a wall that prevents one from going further)” and the walker “actualises some of these possibilities” by performing within its rules and limitations. “In that way,” says de Certeau, “he makes them exist as well as emerge.” Thus, pedestrians, as they walk conforming to the possibilities that are brought about by the spatial order of the city, constantly repeat and re-produce that spatial order, in a way ensuring its continuity. But, a pedestrian could also invent other possibilities. According to de Certeau, “the crossing, drifting away, or improvisation of walking privilege, transform or abandon spatial elements.” Hence, the pedestrians could, to a certain extent, elude the discipline of the spatial order of the city. Instead of repeating and re-producing the possibilities that are allowed, they can deviate, digress, drift away, depart, contravene, disrupt, subvert, or resist them. These acts, as he calls them, are pedestrian acts.

Problem?

Encountered a problem? Report it to let us know.

  • Include the page on which you encountered the problem.
  • Describe what happened.
  • Describe what you expected to happen.
Follow us